squidflakes wrote:
The big secret there is called flap count. ADV is the best/worst about this. The directors want to get the dubs to look as good as possible which means matching up the animated lip movements to the syllables the actor speaks.
This is my biggest pet peeve because if you understand Japanese and watch Japanese anime you will see that quite often the words do not sync to the mouth movements. This is because Japanese directors concentrate more on the acting than they do on unimportant shit like wether or not the mouths sync up perfectly to the speech.
The animation is done before the scripts are often even finalized and often subtle changes will be made during a voice actor's performance. In the Japanese productions the animation comes second to the acting.
This is why dubs suck, because the directors get too hung up on making the dialogue match the mouth movements. Either ignore the mouth movements like the Japanese do and concentrate on the acting, or use a computer to re-animate the mouths to match the english dialogue. Having the actors speak in stilted, un-natural sounding dialogue just to get their sentances to fit into the mouth flaps is idiotic.
And US. Manga Corps has the WOSRT voice acting ever. I swear they could get better voice acting if they got homeless people to come in off the street and voice act for food.
The directors doing dubs need to start treating the projects like fucking art instead of products to be churned out on a freakin' assembly line.
I don't mind scripts being rewritten for cultural relivancy. Not everyone is a student of japanese culture and language and thus not everyone will get the original jokes in the original context. What I really fucking hate is scripts and acting that is centered around the fucking mouth flaps. Every director that builds a project around mouth flaps needs to be kicked in the fucking crotch by a world cup soccer team. Not only does it make the company looks like crap, it makes the voice actors look like no-talent hacks and William Shatner wannabees.
Seriously, if the mouth to word sync is so freaking important, it is very easy and inexpensive to re-animate the mouths with a computer. Hell Carl-fucking-Macek reanimated the mouths when he butchered Macross to make Robotech, and he did it without the benefit of freaking computers.
Next time you work on a project where the director makes you say something retarded to get a line that matches the fucking flap count you tell him for me, "Ghastly just wants you to know that you're a total
FUCKING CUNT!"
Thank you.