What do you expect from a webcomic?

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Black Sparrow
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Post by Black Sparrow »

Garneta wrote:I don't expect anything from the update schedule, especially after both doing a comic myself, and after seeing how many other comics update very sporadically.

The only thing I really do expect from a comic is that the artwork should either be consistent, or improved upon as the comic progresses.
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Post by Salyavin »

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Post by Yeahduff »

Shishio wrote:I'm in the minority, but I think it's pretty fucking arrogant to expect anything from people who provide you with free entertainment.
Which, of course, is a pretty fucking arrogant attitude for an author to have.
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Post by Lance »

yeahduff wrote:
Shishio wrote:I'm in the minority, but I think it's pretty fucking arrogant to expect anything from people who provide you with free entertainment.
Which, of course, is a pretty fucking arrogant attitude for an author to have.
I do not expect anyone to update on a rigid schedule even if they establish one. Somebody's always puttin' up some "couldnt get it done this week" stuff on their newspage.

I pay for my own domain and server, I don't take ads, I do everything from writing and art right thru the webwork, and I update when I can. Sure I'd like to keep the momentum up and keep readers interested but I've seen too many creators burn-out mid story and disappear forever. I can afford to be patient with others who are trying to continue their comics despite the unpaid workload and their own life-pressures.

So I suggest letting COMIC NATION track updates for you. One stop there daily and you'll know everyone that's got new stuff up.
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Post by Yeahduff »

Lance wrote:
yeahduff wrote:
Shishio wrote:I'm in the minority, but I think it's pretty fucking arrogant to expect anything from people who provide you with free entertainment.
Which, of course, is a pretty fucking arrogant attitude for an author to have.
I do not expect anyone to update on a rigid schedule even if they establish one. Somebody's always puttin' up some "couldnt get it done this week" stuff on their newspage.

I pay for my own domain and server, I don't take ads, I do everything from writing and art right thru the webwork, and I update when I can. Sure I'd like to keep the momentum up and keep readers interested but I've seen too many creators burn-out mid story and disappear forever. I can afford to be patient with others who are trying to continue their comics despite the unpaid workload and their own life-pressures.

So I suggest letting COMIC NATION track updates for you. One stop there daily and you'll know everyone that's got new stuff up.
You're talking to a bunch (or a couple, anyway) of web cartoonists. We know.

Fact is you're putting something out for someone's consumption, expecting them to spend their time on it. OF COURSE they have a right to certain expectations. I'm the worst at keeping up with updates, believe me, and I certainly have obligations that keep me from updating, but if my fans are pissed at their neglect, y'know, they have every right to be.
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Post by Black Sparrow »

It's also a known fact that regular updaters get more readers... whether the regular updates are once a week or three times a day. Consistency and dependability are what keeps people coming back.

Yeah, since we're all webcomickers here, most of us are willing to put up with a little downtime. We know how rough keeping a schedule is, and real life is more important than internet.

But the fact is that not everyone thinks that way. The average reader expects a comic, not knowing just how much work is behind it. If you don't anticipate those expectations, you won't be able to support a readership outside other artists and a loyal few.
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Post by TheWhiteWilSmith »

As a reader of a slew of webcomics as well as an author and artist of one, I understand the importance of a regular schedule. If I know when a new strip is going up, then I'm more apt to check it on that day.

I'm also slightly OCD, and having that type of organization puts my mind at ease (and also makes the archive calendar look pretty...)
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Post by Alschroeder »

You better be awfully good or update awfully consistently---well, let me amend that. You better be awfully good for me to read it, but if you don't update consistently, I'm not going to check you that often. Everybody misses it occasionally, but if I'm not sure when you update, I'm not going out of my way to check on you.---Al
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Post by Joel Fagin »

Consistancy, regularity or a comic so damned good I don't care. Pick two.

For example, Order of the Stick is currently erratic but regular and very good.

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Post by Legion of Boom »

I don't read too many webcomics regularly, but I would say consistent storylines (if any) and comic strip is legible. I understand scheduling issues so I won't fault anyone for that. But if I don't know what the hell is going on in your storyline within a few strips and the writing is impossible to read, I move on. But as always, there are no rules or regulations in the world of webcomics, so what do I know?
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Post by Snail »

I generally just read a mass of web comics at the end of the month - if there's one new page, it keeps me entertained until the next month *shrug* Don't really expect much.

Other than that - I kinda go by a rule like Joel Fagin's --- There's three kinds of work
Good, Quick, and Cheap...
Good and Quick - won't be Cheap ...
Good and Cheap - won't be Quick ...
and Quick and Cheap - won't be Good.

I read all three types - as long as they entertain me in some way... but I don't read them on a consistent basis.
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Post by Redtech »

Am I the only person who wants loads of clicky-buttons that lead off to random links that describe the cast in absurd levels of detail or back-histories of the world that are never implied in the story?

Meh, good art+story=win!
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Post by Bustertheclown »

warofwinds wrote:I expect a strip comic in b/w to update 3 days a week. Colored, 2 days a week.

I expect a story comic, full page, to update minimum once a week, and depending on the detail, 2 days a week. If it's uncolored, 2 days a week.
I really dislike the (somewhat common) logic that color equals more time to create, or color means higher quality. As an artist who has worked for years almost exclusively in black and white, and as an enthusiast of the colorless world, I have to say, quite exuberantly, that color should absolutely not be a gauge with which a work's time of creation or level of quality should be judged. In fact, when I work in color, I tend to take less time to finish a piece than when I work only in black and white.

Now, I'm not so thick that I'm unable to understand the general tendency for people is to define cartoons as being merely open-lined drawings with no real shows of value, since that's what a very large amount of cartoons are, especially those falling within the newspaper format. In that instance, the addition of color is a substitution of values. However, that's only one stylistic choice, often one taken as a way to conserve time and energy on a single strip, especially for those who draw seven strips to fill a week. By that method, I think its reasonable to have expectations that b&w takes less time than color, and that neither should take too much time. That is, after all, a very strong reason why the open-lined method of cartooning was created, and is still very popular with both professionals and hobbyists.

However, that stated, there are a lot of comics out there that are being approached more as a mixture of literature and art object, a trend especially taking hold since the popularization of the term "graphic novel" or "visual story". To that end, more and more people are taking greater time and care with their work, and not just churning it out at a high rate. So, what about black and white works that take more time and effort than even most color? These comics not only exist, they exist in abundance. I should know, because apparently, in looking through my reading list for examples of color comics, I don't actually read anything with color, and I don't actually read anything that looks like it was drawn quickly. (honestly, I'm shocked at myself, and I had no idea how prejudiced against color I was until I started writing this reply...) Anyway, the point is, I could name dozens of comics like this out there, and I'm sure everybody here could at least come up with a few great examples on their own. So, a wholesale judgment of time or quality, based on color or the lack there-of, to me is far too homogeneous.
yeahduff wrote:
Shishio wrote:I'm in the minority, but I think it's pretty fucking arrogant to expect anything from people who provide you with free entertainment.
Which, of course, is a pretty fucking arrogant attitude for an author to have.
At least arrogance on the author's part is a creative arrogance, which has a long and celebrated history. Reader's arrogance is the consumer arrogance that they are owed more of something because they just happen to like it. It's especially garish when that sense of entitlement is essentially expecting something for nothing, which is a trashy and uncouth form of behavior. Speaking as a reader and sometimes fan, as well as a creator, I truly believe that fans should expect nothing for their fandom beyond that which they have already received, and be thankful, not expectant, of any future work. I'm sure my attitude will mean I'll fall prey to the fickle attention of fans sometime in the future, but, hell, it won't be the first time.

I will say this, though. If you, as a creator, expect a large and regular returning troupe of viewers to your site, then you'd best damned well make with the content on a consistent basis. Otherwise, it's your own fault if people don't come back. Readers may sometimes be rude, ugly parasites, there's no question that gaining regular readers means embracing parasitic infection, and making it a symbiotic relationship. Actually, the more I think about it, the more parallel creating a webcomic and catching an STD becomes.
Redtech wrote:Am I the only person who wants loads of clicky-buttons that lead off to random links that describe the cast in absurd levels of detail or back-histories of the world that are never implied in the story?
Dear golly, I hope you're the only one.
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Post by KWill »

Redtech wrote:Am I the only person who wants loads of clicky-buttons that lead off to random links that describe the cast in absurd levels of detail or back-histories of the world that are never implied in the story?
Nope. =D

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Post by ShineDog »

Tracing!

If you draw over pictures of jeff goldblum or liv tyler or whoever, WE WILL KNOW.


do you hear me?


WE WILL KNOW.
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Post by Cuendolin »

I don't care much about the art, the minimum is that I can know what is going on.
I always check a comic if the story is interesting and if it updates at least every month.
My expectations are low but I agree that consistent updates, good writing and pasable art are for the win
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Post by Yeahduff »

bustertheclown wrote:
I really dislike the (somewhat common) logic that color equals more time to create, or color means higher quality. As an artist who has worked for years almost exclusively in black and white, and as an enthusiast of the colorless world, I have to say, quite exuberantly, that color should absolutely not be a gauge with which a work's time of creation or level of quality should be judged. In fact, when I work in color, I tend to take less time to finish a piece than when I work only in black and white.

Now, I'm not so thick that I'm unable to understand the general tendency for people is to define cartoons as being merely open-lined drawings with no real shows of value, since that's what a very large amount of cartoons are, especially those falling within the newspaper format. In that instance, the addition of color is a substitution of values. However, that's only one stylistic choice, often one taken as a way to conserve time and energy on a single strip, especially for those who draw seven strips to fill a week. By that method, I think its reasonable to have expectations that b&w takes less time than color, and that neither should take too much time. That is, after all, a very strong reason why the open-lined method of cartooning was created, and is still very popular with both professionals and hobbyists.

However, that stated, there are a lot of comics out there that are being approached more as a mixture of literature and art object, a trend especially taking hold since the popularization of the term "graphic novel" or "visual story". To that end, more and more people are taking greater time and care with their work, and not just churning it out at a high rate. So, what about black and white works that take more time and effort than even most color? These comics not only exist, they exist in abundance. I should know, because apparently, in looking through my reading list for examples of color comics, I don't actually read anything with color, and I don't actually read anything that looks like it was drawn quickly. (honestly, I'm shocked at myself, and I had no idea how prejudiced against color I was until I started writing this reply...) Anyway, the point is, I could name dozens of comics like this out there, and I'm sure everybody here could at least come up with a few great examples on their own. So, a wholesale judgment of time or quality, based on color or the lack there-of, to me is far too homogeneous.
Pretty much. Not speaking about me, of course, since I tend to half-ass when I do update, End of Things, for instance, takes three times as long to make as any of you color mother fuckers.

I think too many color cartoonists don't think about their color choices enough either, just doing what feels right at the time. It shows.
bustertheclown wrote:
At least arrogance on the author's part is a creative arrogance, which has a long and celebrated history. Reader's arrogance is the consumer arrogance that they are owed more of something because they just happen to like it. It's especially garish when that sense of entitlement is essentially expecting something for nothing, which is a trashy and uncouth form of behavior. Speaking as a reader and sometimes fan, as well as a creator, I truly believe that fans should expect nothing for their fandom beyond that which they have already received, and be thankful, not expectant, of any future work. I'm sure my attitude will mean I'll fall prey to the fickle attention of fans sometime in the future, but, hell, it won't be the first time.
Eh, arrogance is arrogance. Not saying fans can do no wrong, but we read things at the expense of other things, and when investment is returned in a "Fuck you, I'll do what I want," we feel cheated. Free or not, a reader can reasonably expect that the work is delivered on time and is true to itself. Personal photos or lesbian sex scenes, though, are at the descretion of the author.
bustertheclown wrote: I will say this, though. If you, as a creator, expect a large and regular returning troupe of viewers to your site, then you'd best damned well make with the content on a consistent basis. Otherwise, it's your own fault if people don't come back. Readers may sometimes be rude, ugly parasites, there's no question that gaining regular readers means embracing parasitic infection, and making it a symbiotic relationship. Actually, the more I think about it, the more parallel creating a webcomic and catching an STD becomes.
Heh heh, hard to disagree with any part of this.
bustertheclown wrote:
Redtech wrote:Am I the only person who wants loads of clicky-buttons that lead off to random links that describe the cast in absurd levels of detail or back-histories of the world that are never implied in the story?
Dear golly, I hope you're the only one.
Seriously. Go to Target's website and leave me alone.
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Post by Shishio »

prettysenshi wrote:Alright, I'm go to a website expecting to have decent art and writing, that updates somewhat regularly and is at least entertaining, and end up viewing a webcomic that has atrocious art and story, is just degrading and sick, that updates only a few times a year, and isnt' entertaining, at all. If I paid for it, I could at least get a refund. But because its free, I can't get any of what I invested into viewing the comic back.
If your time is so important that you can't waste any of it, then why risk undertaking any endeavour that may not prove worthwhile?
bustertheclown wrote:
yeahduff wrote:
Shishio wrote:I'm in the minority, but I think it's pretty fucking arrogant to expect anything from people who provide you with free entertainment.
Which, of course, is a pretty fucking arrogant attitude for an author to have.
At least arrogance on the author's part is a creative arrogance, which has a long and celebrated history. Reader's arrogance is the consumer arrogance that they are owed more of something because they just happen to like it. It's especially garish when that sense of entitlement is essentially expecting something for nothing, which is a trashy and uncouth form of behavior. Speaking as a reader and sometimes fan, as well as a creator, I truly believe that fans should expect nothing for their fandom beyond that which they have already received, and be thankful, not expectant, of any future work. I'm sure my attitude will mean I'll fall prey to the fickle attention of fans sometime in the future, but, hell, it won't be the first time.

I will say this, though. If you, as a creator, expect a large and regular returning troupe of viewers to your site, then you'd best damned well make with the content on a consistent basis. Otherwise, it's your own fault if people don't come back. Readers may sometimes be rude, ugly parasites, there's no question that gaining regular readers means embracing parasitic infection, and making it a symbiotic relationship. Actually, the more I think about it, the more parallel creating a webcomic and catching an STD becomes.
Yes, exactly. Thank you, I couldn't have written anything half as articulate as this.
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Post by Geekblather »

I'm also slightly OCD, and having that type of organization puts my mind at ease (and also makes the archive calendar look pretty...)
Ooh yeah! I love that!

Uhm. So, I expect that if a comic says they have a schedule, that they update on that schedule. Some, like Something Positive, don't claim to have a schedule, it just updates- often, and as he has time. So... no big deal.

I keep and maintain my schedule because I have a co-author who pokes at me to make sure I get it done, but even if no one read it, I'd do it anyway, because it's something I do for fun.
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Post by Alschroeder »

I don't EXPECT this in a webcomic, but I'm pleasantly surprised when I see it---originality. A new idea, or a new riff on an old idea. New concepts. Something that awakens a jaded sense of wonder.

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