That was the kind of critique I was after. Objective.
Phalanx wrote:It's not that it's bad. It's not bad, but it doesn't connect. The characters feel... distant. Like Codeguy mentioned, you couldn't connect with (and thus care for) them.
Hence the reason critiques are important - I had no idea this was even an issue. I must admit I was kinda suprised by this because I suppose I didn't think it was important. I've written extremely character-driven stuff before, but generally not in a comedy setting. Doing character development in a three panel setup leaves little room for jokes and vice-versa.
I'm not really sure what you're looking for in connection. I would think Philosophy Bites has a sortof "hey, I knew someone like that" quality to it. The characters are all broad stereotypes: there's the nerd, the blend-in, and... whatever Ress is. Lunatic/activist/slacker. Or something. I would imagine my strip doesn't connect on the same level as Zits, but I just can't claim to be that good.
I've actually had people say just the opposite - that they could really identify with the characters. I'd like to find out more about this issue.
Phalanx wrote:The thing that annoys me the most are the failed funnies, where the strip attempts to be funny but leaves the reader (or me, at least) unamused, or even worse, just confused.
I suspect the root of the problem lies here. Philosophy Bites is purely humour-oriented. If you don't think it's funny, you won't get much out of it. This isn't one of those strips where you walk away, and you're kind of disillusioned and have a whole new perspective on life. Ideally, you would walk away in a good mood because it made you laugh. It's light stuff. The title of the strip seems more ironic every day.
Phalanx wrote:Maybe if you expanded the characters a bit things would fall into place more.
This is probably an issue of "narrowing". Each of the characters represents a wide range of people, so it may be hard to put a face on them individually. I find character expansion strips tend to be out of place in gag comics, so I've worked it in really slowly. You can see that things do develop over the first 150 strips (I've scripted over 700), but it happens very slowly.
Phalanx wrote:One thing though- I know your comic isn't supposed to be art- intensive, but the lack of depth and perspective in the pictures was one of the reasons reading Philosophy Bites (ironically) made me feel distant. Yeah yeah. Minor nitpick, but one I thought I should mention.
I'm working on it. It can't be denied that the strip gets better visually as it goes on.
Phalanx wrote:The bottomline is: You comic currently feels mediocre- which is worse than being just bad because it's too easily forgettable. You need something to make it distinctive- so that it sticks in a reader's head and keeps them comic back for more. If your comic can make a reader think about it even after they've closed the browser and logged off, then half the battle is already won.
I suppose you could chalk this up to different expectations/preferences in reading comics. This is light reading, plain and simple. It exists to make you laugh. If you don't laugh, the strip fails for you. Philosophy Bites is structured specifically not to be deep. If PB sticks something in your head, it's a joke. That's about as far as it goes.
It's pretty obvious that this strip isn't your cup of tea, but I am interested in what strips you thought were good. Or particularly bad. I find an example helps a lot better than most other things.