Critique this script!

Think your comic can improve? Whether it's art or writing, composition or colouring, feel free to ask here! Critique and commentary welcome.

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FunnyPerson
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Critique this script!

Post by FunnyPerson »

This is NOT a completed script by any means. But please, give me your ideas for tightening dialogue, a better lay out... Be cruel, but dont just say 'it sucks' or 'its been done before'

This is also for COMIC BOOK LAYOUT, not three-panel web/newspaper comic.

As well, I know in some places the descriptions of the panel are rather lacking... I am hoping to draw this comic myself, so I have in my head what they look like in better detail. Hopefully my drawing skills can meet that standard. But suggestions ARE welcome.
Page 1

Panel 1: Close up of a worn, thin hand as it held a clear glass under a wine spout spout, filling up.

CAP: IN A WAR, YOU SACRIFICE A LOT OF FREEDOM. SOME KINDS OF WAR HOWEVER, CANNOT BE FOUGHT WITH WEAPONS OR SOLDIERS. SOME WARS, YOU HAVE TO SACRIFICE YOUR VERY /IDENTITY/ IF YOU WANT TO WIN.

Panel 2:Over-shoulder view, facing forwards. The shoulder is thinly clothed, short sleeved and the beginning of a scar is visible at the nape of his neck. His hair is shorn short but ragged.

UPPER CAP REALLY, WHO WOULD WANT TO LIVE WORKING FOR SOMEONE WHOM YOU HATE? WHO TOOK YOU FROM EVERYONE YOU LOVED, AND TORTURED YOU UNTIL YOU FORGOT WHO YOU WERE?

LOWER CAP: TO TELL YOU THE TRUTH, I WOULD.

Panel 3: Bird's eye view: The thin slave. He's walking, shoulders hunched a little bit. He carries a tray of about six goblets of wine and one of black fluid down the corridor to the end. Others - aliens and SLAVEs - pass him. You can't see much detail from this angle.

CAP I COULD LEAVE THIS PLACE AT ANY TIME I WANTED. BUT I DON'T. WHO COULD LIVE FREE, KNOWING HE LEFT OTHERS BEHIND TO WORK UNTIL THEY PASS AWAY TO THE GREAT UNKNOWN? I KNOW MY ANSWER.

Splash Page under other panels: Conference table with the usual brightly lit table, but dark surroundings so you could only see vague shapes. The man stands, head lowered, tray in front of him at the far end, the door closed behind him. He's wearing a collar, and his body is thin, clothes ragged.
CAP BELOW PANELS: I DON'T WANT TO JUST BE FREE, I WANT THEM TO SUFFER FOR ENSLAVING SO MANY. AND THAT IS WHY I REMAIN HERE. THAT IS WHY I REMAIN AS...

LOWER CAP: A WILLING SLAVE.

Page THREE. Two panels, one panel, three panels
Panel 1: Side vew of table, Lockpick can be seen behind the slavers seated there, setting drinks in front of each of them as he goes along, eyes always lowered respectfully as the Masters talk.

MASTER 1: THIS YEARS' INCOME HAS BEEN DROPPING STEADILY, GENTLEMEN. ESCAPES HAVE ALSO INCREASED TEN PERCENT. THIS IS UNACCEPTIBLE. WE MUST AQUIRE NEW MERCHANDISE

MASTER 2: INDEED. THINGS ARE NOT GOING WELL... SALES ARE DROPPING. SOMETHING MUST BE DONE.

TB of slave: TEN PERCENT? BETTER THAN I'D HOPED.

Panel 2: Another Angle: Slaves's face snaps up in startlement as he puts down a third drink near the head of a table, a shocked, almost horrified look to it.

MASTER 3: WHAT ABOUT THIS SKYLARIAN ONE YOU HAVE HERE? IT SEEMS A HARD, COMPLIANT SLAVE .

MASTER 1 (OP) : HNRRR... INDEED. AT LEAST AFTER ITS TRAINING.

MASTER 2 (OP): I SAY THAT WE RETURN TO THIS CREATURES' HOMELAND COAST, HARVEST MORE OF ITS KIND. SKYLARIANS ARE HARDY AND PLENTIFUL.

Panel 3 Another Angle, slave again, but his head is thrown back, mouth open in pain as a whip snaps against his shoulder from off screen.

MASTER 1 (OP): INDEED. SET SAIL FOR THE SHIPYARDS OF ICONA. THE SKYLARIANS THERE WILL DO FINE.

SLAVE (TB): OH NO! I CAN'T LET THEM GET TO ICONA. NOW MORE THAN EVER, I WILL HAVE TO-

SFX: GAAAAAAAH!!!

Panel 4: Worm's Eye view: Slave is on the floor, facedown, one elbow propping him up as his frame shakes. To his left are the bottoms of chairs, and behind him, a dark figure can be seen holding a whip.

ALIEN 1: WE /ALLOW/ YOU TO LIVE PAINLESSLY SO LONG AS YOU'RE USEFUL TO US, SLAVE. DON'T MAKE US REGRET THAT DECISION.

SLAVE: Y... YES... MASTER.

ALIEN 1: GOOD. NOW CLEAN UP AND RETURN TO YOUR ROOM. WE HAVE NO NEED FOR YOUR SERVICES TONIGHT.

SLAVE (TB): I SWEAR, I WILL BE FREE OF YOU SOMEDAY... AS WILL EVERYONE ELSE YOU'VE EVER SNATCHED FROM THEIR HOMES AND LOVED ONES.

Panel 5: Exterior of a sailing ship. The coastline is

CAP: BUT I WONDER, AFTER SEEING MY HOME AGAIN... SEEING MY OWN PEOPLE...

Panel 6: Ship is smaller, coastline more detailled

CAP: WILL I HAVE THE WILLPOWER TO REMAIN?


Page 4 (One panel, Two panels)

Panel 1:Nighttime, a small one sail sailing ship rests in the dock. Standing on the docks were a trio of three armored figures (Zeal, Angie and Hawk) . Two had fancy fullplate, the other mere scale mail. Mists rolled around the docks and the moon was bright overhead.

NARRATION: WATERFRONT, ICONA DOCKS

Panel 2: Over shoulder view of Hawk, looking to Zeal who is looking back through the mists, as is ANGIEL. In the distant mists, one can see a shape beginning to emerge.

ZEAL: EVENING SIR. THE BOAT IS LATE.
HAWK: EVENING. WE HAVENT MISSED IT, I KNOW THAT. ANGIEL, DO YOU SEE ANYTHING? YOU'VE THE EYES OF A HAWK.
ANGIEL: NOT A THING MY LORD. I SEE FOG, AND THE MOON AND...


Panel 3: A view of the bay again, a the slave ship beginning to emerge from the clouds..

TOP CAP: WAIT... I SEE SOMETHING I THINK...

BOT CAP: ITS A SHIP! BUT, ITS NOT OUR SHIP. I DONT RECOGNISE IT.


Panel 4: View of the ship from the side. Men on board have docked it, and lights are visible in the cabin. at the top of the ramp, looking down towards the knights (Who have their backs to the viewer), stood the Master. He was smiling as he starts down the ramp. A netted bag of glitering jewels .

MASTER: AHHH... WELCOME GOOD FRIENDS. PLEASE DO NOT BE ALARMED. I'M __________, A SIMPLE MERCHANT AND DIPLOMAT FROM OVER THE SEAS. PLEASE, STEP ABOARD, AS I WISH TO SPEAK MORE WITH YOU MORE ON THE MATTER OF MAYHAPS, SOME TRADE... I BRING MANY RARE JEMS WITH ME.

OS ANGIEL: YOU COME OUT OF NOWHERE IN THE MIDDLE OF THE NIGHT AND INVITE US ONTO YOUR BOAT...

Panel 5: The knights stand, both frowning. Angiel is slightly ahead, angry as he shouts. They are in the foreground, with the gorgeous boat visible.

Angiel: ... OF THE LIKES WE HAVE NEVER SEEN AGAIN, FOR PURPOSES WHICH I DO NOT THINK ARE AS HONEST AS YOU CLAIM. WE ARE NOT BABES NEWLY BORN, BUT ARE OF THE KING'S KNIGHTS, SWORN PROTECTORS OF THESE LANDS!...

TB of MASTER: KINGS KNIGHTS! THE GREATEST WARRIORS OF THE WORLD! I MUST HAVE THEM!


Panel 5: View of the Master again from behind the Knights. A strange shimmer is around each knights's Silhouette, though drastically less around HAWKS's

MASTER (evil lettering): VERY WELL THEN. LET ME OFFER YOU A DIFFERENT COINAGE WHICH YOU MAY FIND MORE APPROPRIATE.


PAGE 5: Splash page.
The knights are standing there, frozen almost, green around. There are three panels at the middle of the page (or at an angledown) of each knight's face. Zeal looks confused. Angiel, struggling, and Hawk, stonefaced as always. In the page underneath, its' a birds' eye view of the ship and the three knights beginning to climb the gangplank onto the ship, Hawk going last.

ZEAL: Uurrrgh... can't think...

ANGIEL: Arrrgh! WHAT... WITCHERY...

TB under Hawk: MAGIC! WHAT IS HE DOING TO MY FRIENDS? I cannot abandon them now. This smells of bad fish... I must play it out!


Page 6: (four panels total)
PAnel 1:Deck of the ship, shoulder view. Slave is watching from behind a lifeboat as the three knights enter downstairs into the hold of the ship.

TB (LOCK): KING'S KNIGHTS! THIS IS NOT GOOD, I NEED TO GET THEM OUT OF HERE...

Panel 2: Shadow over slaves's shoulder from behind. His head is turning, a
shocked, afraid look on his face.

SM SB: SSSSOO... YOU SAW OUR NEW GUESTS EH? NICE TO SSSEE YOUR OWN KIND
AGAIN.

Slave: M-MASTER! I WAS JUST ABOUT TO-

Panel 3: Slave against wall, SM looming, side view. SM has remote in his hand.

SM: SSSSILENCE! NEED I REMIND YOU OF YOUR PLACE, SLAVE?

LP: EEP!

SM: YOU WILL KEEP OUT OF THE HOLD, UNDERSTAND? DO NOT GO DOWN THERE...

TB Slave: I HAVE TO RISK IT. SLEEPING POTION IN HIS WINE TONIGHT, AS ALWAYS BEFORE.

Panel 4: LP in background. He looks scared, defeated. SM in foreground,
only half his face visible, and his shoulder.

SM: AND YOU _ALL_ WILL PAY!

Page 7: One Panel, two, one1

Panel1: The hold of the ship. Its' dark, leaky and there's a rat. The knights are stripped of their armor and belongings, and chained standing to the wall, even Hawk.

ZEAL: WH... WHERE ARE WE?

ANGIEL: IN TROUBLE.

HAWK: YOU TWO WERE ENCHANTED. OUR WEAPONS AND ARMOR ARE STRIPPED. THE SHIP HAS BEEN MOVING TOO. I'M AFRAID WE'RE PRISONERS.

Panel 2: Close up of Hawks' face, looking serious but also worried.

HAWK : BUT... I AM AFRAID I DO NOT KNOW HOW WE WILL GET OUT OF THIS ONE.

Panel 3: Close up of Angie, determined.

ANGIEL: WHATEVER HAPPENS, OUR GOD WILL SEE US THROUGH. HE WILL NOT LET US BE VANQUISHED, BUT WATCH OVER US.

OP Zeal: ANGIEL...

Panel 4: Over shoulder shot of SLAVE looking into the room from the shadows, listening to the knights. At the far end, one can see a sailor's legs beginning to descend into the hold down the stairs.

ZEAL: I THINK THAT WE WILL NEED A LITTLE MORE HELP THAN THAT THIS TIME.

page 8: one panel, two panels, three panels

Panel 1: The master descends the stairs, again looking at the three knights chained. Its' light out, and the porholes allow meager amounts of light into the bottom of the ship.

TOP CAP: A FEW DAYS LATER.

MASTER: SO... HOW ARE MY GUESTS DOING?

Panel 2: Angiel, looking quite angry, with a bruise on one cheek as he leans forwards to shout.

Angiel:YOU! RELEASE US THIS INSTANT!

Panel 3: THe master, Sneering at Angiel, his nose mere inches away from the Knights'.

Master: AHH, HOW THE MIGHTY HAVE FALLEN! LURED AND TRAPPED BY MY ENCHANTMENTS.

angiel:YOU LOW BELLIED SNAKE! GOD WILL NOT TOLERATE THIS!

Master: HAH! GOD HAS NO SAY IN THIS ANYMORE...

Panel 4: Over the shoulder of the Master, looking now towards a tired looking Hawk and glowering Zeal.

OP Master: KING'S KNIGHTS, SOON TO BE RETRAINED AND SOLD AS LOWLY COMMONERS INTO A LIFETIME OF SLAVERY!

Panel 5: Close up of Hawks' face, looking stern and determined.

HAWK: RELEASE US, AND WE WILL GIVE YOU A FAIR TRIAL. SLAVERY IS PROHIBITED IN SKYLARIA. THE OTHER KNIGHTS WILL COME FOR US.

Panel 6: Master starting to go up the steps, looking over his shoulder, the sun silhouetting him from behind.

MASTER:THERE IS NO LAW LIKE THAT WHERE WE GO. YOU THREE ARE NOW SLAVES. I WILL SAVOR EACH DAY I AM RICH OFF YOUR SALES.

Page 9 (Six panels)

Panel 1: The three knights, angled view of watching the master leave.

ZEAL: WELL... NOW WHAT?
Last edited by FunnyPerson on Mon Nov 27, 2006 9:00 pm, edited 6 times in total.

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Post by Warofwinds »

Well, from your screen name, I admit I expected something a little lighter. You've got some nice dark themes here, ones that can be played out nicely. I would suggest some sort of cover page before the scene with the knights, something that explains how that setting is different that one with the slave. Something like a market scene or something, or a parade, with captions saying something not so corny as: "Skylaria, the glittering gem of _____, where people are free and slavery is abolished, where a mericiful god protects"...etc. That's the only thing that confused me, getting from one place to another and how it was different than the setting of origin.

Also, I don't think your second caption quite fits in with the mood. It's the word choice. Those first two sentaces need a little bit of simplification, such as "...who would willingly work for a master who hurts you? Who captured you, tortured you, retrained you, until you nearly forgot who you were?" or something that angsty. Slave seems a very angst person.

Other than those two little things, I like it. Post again when you get the art up, eh? I'll probably bookmark and keep reading.
-Kez
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Post by Garneta »

For some reason in the very first caption "some kinds of war though can't etc etc" the word "though" bugs me. Don't know why.

The way you've described this, though, I can picture it pretty clearly. And I agree with warofwinds...post a link to this when you get it done!
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Post by FunnyPerson »

Updated:

I fixed the 'though' line. However sounds better I think.

Also broke up that other paragraph9 but I'm not sure how it works.

As for a splash picture, I put a caption along the bottom of the Knights' first view to say where they were, and changed the MASTERS' Dialogue at the end of page 3.

I do not know about a splash page with a landscape at this point. I wanted to do a 'camera angle' thing where we begin wiht close ups, build ourselves back, then pan in again for another close up at the end of the book. However, I may abandon this idea and merely use it for the very first few and last few panels. I imagine such a subtle thing would be lost on readers anyways.

I am thinking though of adding a fight scene between the Master and Hawk though before we go to the hold of the ship, as everyone loves action and that whip snap at Slave was as active as it really gets. MAybe Hawk lunges up the ramp to the ship, only to get the shoot beaten out of him.

PS - yes, it is pretty dark isnt it? This is a side project along with my regular webcomic. I dunno about posting a link but I'll send you an autographed copy if you keep helping me ;)

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Post by FunnyPerson »

Okay, updated version, and I'm working on the rest of the story. I'm reposting this so you can compare the two.

Page 1

Panel 1: Close up of a worn, thin hand as it held a clear glass under a wine spout spout, filling up.

CAP: IN A WAR, YOU SACRIFICE A LOT OF FREEDOM. SOME KINDS OF WAR HOWEVER, CANNOT BE FOUGHT WITH WEAPONS OR SOLDIERS. SOME

WARS, YOU HAVE TO SACRIFICE YOUR VERY /IDENTITY/ IF YOU WANT TO WIN.

Panel 2:Over-shoulder view, facing forwards. The shoulder is thinly clothed, short sleeved and the beginning of a scar is

visible at the nape of his neck. His hair is shorn short but ragged.

UPPER CAP REALLY, WHO WOULD WANT TO LIVE WORKING FOR SOMEONE WHOM YOU HATE? WHO TOOK YOU FROM EVERYONE YOU LOVED, AND

TORTURED YOU UNTIL YOU FORGOT WHO YOU WERE?

LOWER CAP: TO TELL YOU THE TRUTH, I WOULD.

Panel 3: Bird's eye view: The thin slave. He's walking, shoulders hunched a little bit. He carries a tray of about six

goblets of wine and one of black fluid down the corridor to the end. Others - aliens and SLAVEs - pass him. You can't see

much detail from this angle.

CAP I COULD LEAVE THIS PLACE AT ANY TIME I WANTED. BUT I DON'T. WHO COULD LIVE FREE, KNOWING HE LEFT OTHERS BEHIND TO WORK

UNTIL THEY PASS AWAY TO THE GREAT UNKNOWN? I KNOW MY ANSWER.

Splash Page under other panels: Conference table with the usual brightly lit table, but dark surroundings so you could only

see vague shapes. The man stands, head lowered, tray in front of him at the far end, the door closed behind him. He's wearing

a collar, and his body is thin, clothes ragged.
CAP BELOW PANELS: I DON'T WANT TO JUST BE FREE, I WANT THEM TO SUFFER FOR ENSLAVING SO MANY. AND THAT IS WHY I REMAIN HERE.

THAT IS WHY I REMAIN AS...

LOWER CAP: A WILLING SLAVE.

Page THREE. Two panels, one panel, three panels
Panel 1: Side vew of table, Lockpick can be seen behind the slavers seated there, setting drinks in front of each of them as

he goes along, eyes always lowered respectfully as the Masters talk.

MASTER 1: THIS YEARS' INCOME HAS BEEN DROPPING STEADILY, GENTLEMEN. ESCAPES HAVE ALSO INCREASED TEN PERCENT. THIS IS

UNACCEPTIBLE. WE MUST AQUIRE NEW MERCHANDISE

MASTER 2: INDEED. THINGS ARE NOT GOING WELL... SALES ARE DROPPING. SOMETHING MUST BE DONE.

TB of slave: TEN PERCENT? BETTER THAN I'D HOPED.

Panel 2: Another Angle: Slaves's face snaps up in startlement as he puts down a third drink near the head of a table, a

shocked, almost horrified look to it.

MASTER 3: WHAT ABOUT THIS SKYLARIAN ONE YOU HAVE HERE? IT SEEMS A HARD, COMPLIANT SLAVE .

MASTER 1 (OP) : HNRRR... INDEED. AT LEAST AFTER ITS TRAINING.

MASTER 2 (OP): I SAY THAT WE RETURN TO THIS CREATURES' HOMELAND COAST, HARVEST MORE OF ITS KIND. SKYLARIANS ARE HARDY AND

PLENTIFUL.

Panel 3 Another Angle, slave again, but his head is thrown back, mouth open in pain as a whip snaps against his shoulder from

off screen.

MASTER 1 (OP): INDEED. SET SAIL FOR THE SHIPYARDS OF ICONA. THE SKYLARIANS THERE WILL DO FINE.

SLAVE (TB): OH NO! I CAN'T LET THEM GET TO ICONA. NOW MORE THAN EVER, I WILL HAVE TO-

SFX: GAAAAAAAH!!!

Panel 4: Worm's Eye view: Slave is on the floor, facedown, one elbow propping him up as his frame shakes. To his left are the

bottoms of chairs, and behind him, a dark figure can be seen holding a whip.

ALIEN 1: WE /ALLOW/ YOU TO LIVE PAINLESSLY SO LONG AS YOU'RE USEFUL TO US, SLAVE. DON'T MAKE US REGRET THAT DECISION.

SLAVE: Y... YES... MASTER.

ALIEN 1: GOOD. NOW CLEAN UP AND RETURN TO YOUR ROOM. WE HAVE NO NEED FOR YOUR SERVICES TONIGHT.

SLAVE (TB): I SWEAR, I WILL BE FREE OF YOU SOMEDAY... AS WILL EVERYONE ELSE YOU'VE EVER SNATCHED FROM THEIR HOMES AND LOVED

ONES.

Panel 5: Exterior of a sailing ship. The coastline is

CAP: BUT I WONDER, AFTER SEEING MY HOME AGAIN... SEEING MY OWN PEOPLE...

Panel 6: Ship is smaller, coastline more detailled

CAP: WILL I HAVE THE WILLPOWER TO REMAIN?

Page 4 Splash Page, with inset lower left

SPLASH: Aerial shot, early morning over a valley city. Fog descends over the lowest reaches, hiding the ground and waters of

the docks. It has a waterfront, with several ships and boats of various sizes. The silhouettes of mountains can be seen

above the city, and a castle glows with firey torches, bright as a beacon in the dark. Two figures can be seen on the docks,

a third one approaching. The two waiting have full plate, while the approaching one had humble Scale mail. The ocean is

hidden by the mists, as though a sea of fog.
UCAP: THREE DAYS LATER, ICONA CITY

Inset :Over shoulder view of Hawk, looking to Zeal who is looking back through the mists, as is ANGIEL. In the distant mists,

one can see a shape beginning to emerge.
ZEAL: EVENING SIR. THE BOAT IS LATE.


Page 5: Two panels, three panels, one panel

Panel 1: Hawk in his scale mail, looking noble, backlit by the dawn skies behind him.

HAWK: WE HAVENT MISSED IT, I KNOW THAT. ANGIEL, DO YOU SEE ANYTHING? YOU'VE THE EYES OF A HAWK.

Panel 2: Angiel in his fancy fullplate, squinting out at the waters intently. Side view.

ANGIEL: NOT A THING MY LORD. I SEE FOG, AND THE MOON AND... WAIT!


Panel 3: A view of the bay again, the slave ship beginning to emerge from the clouds..

TOP CAP: I SEE SOMETHING I THINK

Panel 4: The ship emerges fully now, trails of fog pulled along as it becomes clearer and more detailled.

BOT CAP: ITS A SHIP! BUT, NOT OUR SHIP. I DO NOT RECOGNISE IT

Panel 5: The Ship looms, the water now visible as the mists begin to melt away, the dawn nearing ever closer, the water

breaks across its' bow.



Panel 6: View of the ship from the side. Men on board have docked it, and lights are visible in the cabin. at the top of the

ramp, looking down towards the knights (Who have their backs to the viewer), stood the Master. He was smiling as he starts

down the ramp. A netted bag of glitering jewels .

MASTER: AHHH... WELCOME GOOD FRIENDS. PLEASE DO NOT BE ALARMED. I'M THE GRAYVOYAGER, A SIMPLE MERCHANT AND DIPLOMAT FROM OVER

THE SEAS. PLEASE, STEP ABOARD, AS I WISH TO SPEAK MORE WITH YOU MORE ON THE MATTER OF MAYHAPS, SOME TRADE... I BRING MANY

RARE JEMS WITH ME.

OS ANGIEL: YOU COME OUT OF NOWHERE IN THE MIDDLE OF THE NIGHT AND INVITE US ONTO YOUR BOAT...

Page 6: 1/2 page slash

Panel 1: Birds Eye view, knights facing away slightly towards the large ship. A few sailors can be seen lashing the boat into

place. The knights stand, both frowning. Angiel is slightly ahead, angry as he shouts. They are in the foreground, with the

gorgeous boat visible.

Angiel: ... OF THE LIKES WE HAVE NEVER SEEN BEFORE, IT IS! AND FOR PURPOSES WHICH I DO NOT THINK ARE AS HONEST AS YOU CLAIM

WE ARE NOT BABES NEWLY BORN, BUT ARE OF THE KING'S KNIGHTS, SWORN PROTECTORS OF THESE LANDS!

TB of MASTER: KINGS KNIGHTS! THE GREATEST WARRIORS OF THE WORLD! I MUST HAVE THEM!

Panel 2: View of the Master again from behind the Knights. A strange shimmer is around each knights's Silhouette, though

drastically less around HAWKS's

MASTER (evil lettering): VERY WELL THEN. LET ME OFFER YOU A DIFFERENT COINAGE WHICH YOU MAY FIND MORE APPROPRIATE.


PAGE 5: Splash page.
The knights are standing there, frozen almost, green around. There are three panels at the middle of the page (or at an

angledown) of each knight's face. Zeal looks confused. Angiel, struggling, and Hawk, stonefaced as always. In the page

underneath, its' a birds' eye view of the ship and the three knights beginning to climb the gangplank onto the ship, Hawk

going last.

ZEAL: Uurrrgh... can't think...

ANGIEL: Arrrgh! WHAT... WITCHERY...

TB under Hawk: MAGIC! WHAT IS HE DOING TO MY FRIENDS? I CANNOT ABANDON THEM. I MUST ACT FAST AND STOP THIS CREATURE.


Page 7:Three panels over top part of splash.

Panel 1: Leaping up the ramp, Hawk draws his fantastic blade in one fell move. His foot is on the ramp and his blade is

just swinging past the Master, tearing his cloak. Master looks startled, his right hand glowing green.. The other two knights

remain still.

Panel 2: A coursing energy goes from the Master's hand to hawk, who is bent back in pain with a yell. It hurts.

Panel 3: Hawk is slumped, smoking and mid-fall off the ramp, groaning. HIs blade drops to the ramps' edge as the old Knight

starts towards the water. The other two knights are still frozen in place.

Splash: Birds' eye view of water between the ship and the docks. Bubbles can be seen rising and a shadowy figure is visible

under it.

OS Master: Give him a few minutes. HIs armor will weigh him down. Then, fish him up. Take their weapons and armor to my

chamber for now, and lock them up.


Page 8: (four panels total)
PAnel 1:Deck of the ship, shoulder view. Slave is watching from behind a lifeboat as the three knights are dragged in. Hawk

is last, lookign quite soggy. All but slave are Silhouettes at this time against the morning sun.

TB (LOCK): KING'S KNIGHTS! THIS IS NOT GOOD, I NEED TO GET THEM OUT OF HERE...

Panel 2: Shadow over slaves's shoulder from behind. His head is turning, a
shocked, afraid look on his face.

SM SB:SO... YOU SAW OUR NEW GUESTS EH? NICE TO SEE YOUR OWN KIND AGAIN.

Slave: M-MASTER! I WAS JUST ABOUT TO-

Panel 3: Slave against boat, SM looming, side view. SM has whip in his hand.

SM: SILENCE! NEED I REMIND YOU OF YOUR PLACE, SLAVE?

Slave: EEP!

SM: YOU WILL KEEP OUT OF THE HOLD, UNDERSTAND? DO NOT GO DOWN THERE...

TB Slave: I HAVE TO RISK IT. SLEEPING POTION IN HIS WINE TONIGHT, AS ALWAYS BEFORE. AND DREAMWEAVER OF COURSE.

Panel 4: Slave in background. He looks scared, defeated. SM in foreground, only half his face visible, and his shoulder.

SM: AND YOU _ALL_ WILL PAY!

Page 9: One Panel, two, one

Panel1: The hold of the ship. Its' dark, leaky and there's a rat. The knights are stripped of their armor and belongings, and

chained standing to the wall, even Hawk. Hawk looks quite burnt and soggy.

HAWK: WH... WHERE ARE WE?

ANGIEL: IN TROUBLE.

ZEAL: WE WERE ENCHANTED. OUR WEAPONS AND ARMOR ARE STRIPPED. THE SHIP HAS BEEN MOVING TOO. I'M AFRAID WE'RE PRISONERS.

Panel 2: Close up of Hawks' face, looking serious but also worried.

HAWK : AYE, AND I CONFESS I DO NOT KNOW HOW WE WILL ESCAPE THIS TIME.

Panel 3: Close up of Angie, determined.

ANGIEL: WHATEVER HAPPENS, OUR GOD WILL SEE US THROUGH. HE WILL NOT LET US BE VANQUISHED, BUT WATCH OVER US.

OP Zeal: ANGIEL...

Panel 4: Over shoulder shot of SLAVE looking into the room from the shadows, listening to the knights. At the far end, one

can see a sailor's legs beginning to descend into the hold down the stairs.

ZEAL: I THINK THAT WE WILL NEED A LITTLE MORE HELP THAN THAT THIS TIME.

page 10: one panel, three panels, three panels

Panel 1: The master descends the stairs, again looking at the three knights chained. Its' light out, and the porholes allow

meager amounts of light into the bottom of the ship. The three knights are looking beat up. Bruises, whip marks. Hawk

especially seems to have been mistreated. They have a bit of a need of a shave and their clothes are stained.

TOP CAP: A FEW DAYS LATER.

MASTER: SO... HOW ARE MY GUESTS DOING?

Panel 2: Angiel, looking quite angry, with a bruise on one cheek as he leans forwards to shout.

Angiel:YOU! RELEASE US THIS INSTANT!

Panel 3: THe master, Sneering at Angiel, his nose mere inches away from the Knights'. Side view of course.

Master: AHH, HOW THE MIGHTY HAVE FALLEN! LURED AND TRAPPED BY MY ENCHANTMENTS AND POWER.

Angiel:YOU LOW BELLIED SNAKE! GOD WILL NOT TOLERATE THIS!

Master: HAH! GOD HAS NO SAY IN THIS ANYMORE...

Panel 4: Over the shoulder of the Master, looking now towards a tired looking Hawk and glowering Zeal.

OP Master: KING'S KNIGHTS, SOON TO BE RETRAINED AND SOLD AS LOWLY GLADIATORS INTO A LIFETIME OF SLAVERY!

Panel 5: Close up of Hawks' face, looking stern and determined.

HAWK: RELEASE US, AND WE WILL GIVE YOU A FAIR TRIAL. SLAVERY IS PROHIBITED IN SKYLARIA. THE OTHER KNIGHTS WILL COME FOR US.

Panel 6: Master starting to go up the steps, looking over his shoulder, the sun silhouetting him from behind.

MASTER:THERE IS NO LAW LIKE THAT WHERE WE GO. YOU THREE ARE NOW SLAVES. I WILL SAVOR EACH DAY I AM RICH OFF YOUR SALES.

Panel 7: The three knights, angled view of watching the master leave.

ZEAL: WELL... NOW WHAT?



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Post by Glambourine »

PAGE ONE

Panel Two: We should see the wine glass in this panel. Otherwise there's no clear connection between panels one and two.

PAGE TWO (THREE?)

Panel One: You don't need two masters talking at this point, since they're essentially saying the same thing. If you want to have two talking, have the second one say something related, but different enough to give us new insight into this world, or at least funny/characteristic. The slave's dialogue is pretty awesome.

Panel Two: Needs to be clearer that the slave they're talking about is Our Hero. Maybe have him mention that his home is Skylaria or something on the first page?

Panel Three: Cleaner transition--we went from him quietly serving wine to him being whipped. It's too big a change.

Panel Four: Seems like he's contradicting himself from page one--he isn't, as the next couple of panels imply, but it should be clearer.

PAGE FOUR: Nice transition into this page from the slave--but can the King's Knights be doing something other than looking for the ship that's about to capture them?

PAGE FIVE

Panel Six: It's kind of a big change, but is there a way to move the opening line from the slave trader to the top of the next page? I can't explain why this seems like a good idea to me, but it does--plus you get the cool cliffhanger of some unknown, disreputable dude descending the staircase. I just have this notion that unless it's a huge cliffhanger deal, new characters should have their first line of dialogue at the top of a new page.

PAGE SIX

This page could be hella expanded. Right now, you get the Master's introduction, the Knights' denial, and then immediately the Master gets the idea to enslave these guys, followed by a spell. It reads kind of like a deus ex machina because we don't get any characterization from this particular Master--he just turns up so that the Knights can be captured. This page just deserves to be stretched out more--let the characters breathe, let them dance around another, reveal cool tidbits about themselves. Seriously, it's worth a page at least before you get to the Master's eeevil decision--and it makes it more dramatic and cool when he eventually unleashes his magic.

PAGE EIGHT

Panel 3/4: Again, same problem. The slave goes in the space of one panel from "Eep!" to poisoned wine and "You all will pay!" It needs some more development to be effective.

PAGE TEN: Page nine is good, promising some interesting development and a good opportunity to learn more about the Masters, who are driving the plot right now. Instead, we get a lapse dissolve to "A Few Days Later". No! Take some time and spell it out--the first days of tortures, learning more about this Master culture. What happened with the slave? How do the knights change subtly over the course of a few days of torture? What can we learn about them individually--you've done some work to make them distinct, but now's the time to really set them apart from one another and learn who these people are, learn who their antagonists are. You can easily devote two or three pages just to early tortures, to the slave's further adventures (didn't he say he was going to poison the wine *that night*?), and to some exploration as to exactly what the Masters' torture methods are, aside from whips--a really good opportunity to scare the hell out of the reader and put him solely on the side of the Knights, yet still as worried as they are about their chances of escape.

---

All of that said, I do like this script--it's got some really good moments, a nice juggling of multiple plot lines, a compelling situation within the first few pages, and even some philosophical weight in the opener. With some tweaking, it could be something really unique and great, rather than just something likable. Thanks for posting this--and I totally want to see this comic once it's made.
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Post by FunnyPerson »

THanks. I'll write up a new rewrite tomorrow after work. I really should get my printer working so I can work on my lunch break.

I was actually hesitant to actually show the torture save for the end-results on the knights - the visible bruises and markings of whippings. I dont want my comic to get too highly rated for violence. I will try to think up someway. Mayhaps silhouettes or blurred shapes and a narrative?

I agree about the master's dialogue. Still working on that part.

I like the suggestoins though. I should pop down and get somewhere that will let me print this stuff out. Thank you!

*will print update tonight if I remember*

ETA: I realize now what you mean about the magical dissapearing, reappearing wine glasses. I often admit to not adding such details. Since I'm drawing this myself I usually have a good idea of the fine things in each panel. I should make a mention though just in case I forget it.

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Post by FunnyPerson »

I thought about a fewways to expand page six... I dont know which ones would work best. I'm rather stuck at this. I dont want to reveal TOO much as this is supposed to be a 'short story' and I like people to discover some on their own. Ideas:

Characters are enchanted to come aboard, and talk and stuff... works on the other wto, but not Hawk. Kind of odd.

Characters introduce themselves. Cornery, cliche, I dont really like it.

The master smooth talks them into coming onto his ship, where they have wine and such and the knights are drugged. Dunno if this is viable as the knights likely wouldnt' trust a total stranger...


Thoughts?

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Post by FunnyPerson »

Updated Version.


The bit between the ******* is likely going to be removed. Right now I have to think on how I'll move them into the ship and continue with the plans to capture them.

Right now I have the idea that the knights dont WANT to, but Angiel is having a Hunch that they should, one he thinks God is putting into him for a reason. Corny, but it works.

Page 1 Three panels, over top of splash page.

Panel 1: Close up of a worn, thin hand as it held a clear crystal glass under a wine spout, filling up.

CAP: IN A WAR, YOU SACRIFICE A LOT OF FREEDOM. SOME KINDS OF WAR HOWEVER, CANNOT BE FOUGHT WITH WEAPONS, MAGIC OR KNIGHTS. SOME WARS, YOU HAVE TO SACRIFICE YOUR VERY /IDENTITY/ IF YOU WANT TO WIN.

Panel 2:Over-shoulder view, facing forwards. The shoulder is thinly clothed, short sleeved and the beginning of a scar is visible at the nape of his neck. His hair is shorn short but ragged. He carries the tray of wine glasses in front of him, the tray of fine silver and the glasses crystal.

UCAP: REALLY, WHO WOULD WANT TO LIVE WORKING FOR SOMEONE WHOM YOU HATE? WHO TOOK YOU FROM EVERYONE YOU LOVED, AND TORTURED YOU UNTIL YOU FORGOT WHO YOU WERE?

LCAP: TO TELL YOU THE TRUTH, I WOULD.

Panel 3: Bird's eye view: The thin slave. He's walking through the bowels of a wooden ship, shoulders hunched a little bit. He carries a tray of about six goblets of wine down the corridor to the end. Others - Humans and nonhumans - pass him. You can't see much detail from this angle.

LCAP: I COULD LEAVE THIS PLACE AT ANY TIME I WANTED. BUT I DON'T. WHO COULD LIVE FREE, KNOWING HE LEFT OTHERS BEHIND TO WORK UNTIL THEY PASS AWAY TO THE GREAT UNKNOWN? I KNOW MY ANSWER.

Splash Page under other panels: Long Wooden table with candles and wine glasses set up. There are platters of food across... a whole pig with an apple, etc. Lanterns burning and making the table brightly lit, but dark surroundings so you could only see vague shapes sitting at it. The man stands, head lowered, tray in front of him at the far end, the door closed behind him. He's wearing a collar, and his body is thin, clothes ragged.

CAP BELOW PANELS: I DON'T WANT TO JUST BE FREE, I WANT THEM TO SUFFER FOR ENSLAVING SO MANY. AND THAT IS WHY I REMAIN HERE. THAT IS WHY I REMAIN AS...

LCAP: Title Script: A WILLING SLAVE.

Page TWO. Two panels, Two panels w/Slash panel in between, three panels

Panel 1: Side vew of table, Slave can be seen behind the slavers seated there, setting drinks in front of each of them as he goes along, eyes always lowered respectfully as the Masters talk. Greyvoyager is the 'lead' master of the slavers, and has very flamboyant clothing, rings on his fingers and other such finery. He has fine brown hair and blue eyes, and is well tanned and muscled. The other slavers, also dressed in finery, are a stark contrast to Slave.

GREYVOYAGER: THIS YEARS' INCOME HAS BEEN DROPPING ALL THE TIME. I HEAR ESCAPES ARE ALSO RISING - THE SLAVES ARE MERELY VANISHING! THIS IS UNACCEPTABLE!

SLAVER: MASTER, I DON'T KNOW HOW TO EXPLAIN THIS... IT IS LIKE MAGIC!

TB of SLAVE: GOOD NEWS FOR ME, AT LEAST!

GREYVOYAGER: BAH! I KNOW MORE OF MAGIC THAN YOU! YOU THINK I WOULD NOT NOTICE? WE NEED FRESH MEAT TO STOCK THE MARKET SOON.

Panel 2: Another Angle: Slaves's face snaps up in startlement as he puts down a third drink near the head of a table, a shocked, almost horrified look to it. A hand pointing from 'under' the viewer points right towards him.

SLAVER2: WHAT ABOUT THIS SKYLARIAN YOU HAVE HERE? IT SEEMS A HARD, COMPLIANT SLAVE.

GREYVOYAGER(OP) : HNRRR... INDEED. AT LEAST AFTER ITS TRAINING.

SLAVER1: I SAY THAT WE RETURN TO THIS CREATURES' HOMELAND COAST, HARVEST MORE OF ITS KIND. SKYLARIANS ARE HARDY AND PLENTIFUL.

Panel 3:Close up of Slave's face, looking determined, grim. The shadow slightly behind him resembles that of a raised arm holding a whip.

TB SLAVE: NO! I CANNOT LET THEM TAKE MORE OF MY PEOPLE. I WILL HAVE TO-

Slash Panel: Partial of Slave's head thrown back, his shoulder most visible, the line of a whip coming across it.

SFX:*SNAP*

SLAVE: ARRGH!

Panel 4: Worm's Eye Profile: Slave is on the floor, facedown, one elbow propping him up as his frame shakes. To his left are the bottoms of chairs, and behind him, a dark shadow thrown across the hull of the ship can be seen holding a whip. Broken wine glasses lay about Slaves' hands, as well as spilt wine.

TB SLAVE:A FOOL I AM! I GOT DISTRACTED FROM MY DUTIES. OW...

Panel 5:Worms Eye again, slave on his back peering up at the looming Master holding the whip. Behind him, the other Slavers were watching casually.

GREYVOYAGER: WE /ALLOW/ YOU TO LIVE PAINLESSLY SO LONG AS YOU'RE USEFUL TO US, SLAVE. DON'T MAKE US REGRET THAT DECISION.

SLAVE: Y... YES... MASTER!
TB SLAVE: I SWEAR, YOU WILL PAY FOR THIS ALL, YOU WILL PAY FOR EVERY SINGLE MARK YOU EVER MADE.

Panel 6: Exterior of a sailing ship. The coastline is faintly visible, a dark line of grey blotting out the sky of stars

CAP: BUT I WONDER, AFTER SEEING MY HOME AGAIN... SEEING MY OWN PEOPLE...

Panel 7: Ship is smaller, coastline more detailled. It is still late at night, stars are out twinkling brightly. A slight fog is rolling in low to the water.

CAP: WILL I HAVE THE WILLPOWER TO REMAIN?

Page 4 Splash Page, with inset lower left

SPLASH: Aerial shot, early morning over a valley city. Fog descends over the lowest reaches, hiding the ground and waters of the docks. It has a waterfront, with several ships and boats of various sizes. The silhouettes of mountains can be seen above the city, and a castle glows with firey torches, bright as a beacon in the dark. Two figures can be seen on the docks, a third one approaching. One waiting is wearing shiny plate and is young (ZEAL), the other Scale and is older, shorter (ANGIEL), and they have luggage. The one approaching is wearing fine Plate and noble's clothes (LORD HAWK). The ocean is hidden by the mists, as though a sea of fog.

UCAP: THREE DAYS LATER, ICONA CITY

Inset :Over shoulder view of Hawk, looking to Zeal who is looking back through the mists, as is ANGIEL. In the distant mists, one can see a shape beginning to emerge.
ZEAL:GOOD MORNING LORD HAWK. THE BOAT TO THEYE IS LATE.

Page 5: Two panels, three panels, one panel

Panel 1: Hawk in his plate mail, looking noble, backlit by the dawn skies behind him.

HAWK: WE HAVE NOT YET MISSED IT, I KNOW THAT. ANGIEL, DO YOU SEE ANYTHING? YOU'VE THE EYES OF A HAWK.

Panel 2: Angiel in his fancy fullplate, squinting out at the waters intently. Side view.

ANGIEL: NOT A THING MY LORD. I SEE FOG, AND THE MOON AND... WAIT!

Panel 3: A view of the bay again, the slave ship beginning to emerge from the clouds..

OP ANGIEL: I SEE SOMETHING I THINK

Panel 4: The ship emerges fully now, trails of fog pulled along as it becomes clearer and more detailled.

Panel 5: The Ship looms, the water now visible as the mists begin to melt away, the dawn nearing ever closer, the water breaks across its' bow.

OP ANGIEL: ITS A SHIP! BUT, NOT OUR SHIP. I DO NOT RECOGNISE IT.

Panel 6: The foreign seeming ship is now docked. It looks vastly different from the one next to it. Both ships are visible from the front, the three Knights standing betweenst the Slaver's ship and the Iconian one behind them. Bigger, bulkier and of darker wood is the Slaver's ship next to the fine, near-white Iconian one. The Sailors on board - rough looking thin ones, lash the boat into place without ever leaving it, seeming to look down at the knights with curiosity.

HAWK: NOR DO I, SIR ANGIEL...

Page Six: Three panels, one panel, three panels.

Panel 1: Hawk watches Slaver2 leaping off the ship to the ground. It was one of the slavers, sans whip as it holds the rope. His head is down, the slaver-sailor focused, caught halfway off the ship and about to alight on the docks' surface. Hawk has one hand raised in the background. The

HAWK: EXCUSE ME, SAILOR! AHOY THERE!

Panel 2: The slaver is half turned, foot braced against the post of the dock as the rope is strung around it. He looks at hawk curiously as he works. Hawk himself is not seen save a close up of his shoulder.

SLAVER2: HMMM?

HAWK: WHO OWNS THIS VESSEL? WE ARE IN NEED OF PASSAGE TO THEYE IMMEDIATELY. OUR OWN SHIP IS LATE.

Panel 3: Sailor is grinning, thumb hooked over one shoulder. 3/4 view of his head, with the ship behind him as he speaks.

SLAVER2: AH, M'LORD! THAT WOULD BE MASTER GRAYVOYAGER. HE OWNS THE SHIP AND RUNS IT. WHO ARE YOU, FINE GENTLEMAN?

Panel 4: The three knights standing beside each other. Hawk is guesturing to the other two. Angiel is glaring, arms folded, while Zeal, the youngest half bows respectfully to the sailor.

HAWK: I AM LORD HAWK, GREEN KNIGHT OF THE KING OF SKYLARIA. THIS IS MY LOYAL AND HEADSTRONG BROTHER AT ARMS, BLUE KNIGHT ANGIEL, AND HIS SQUIRE ZEAL THE ENERGETIC.

Panel 5 :Sailor bowing again deeply, one foot on the rope now.

SLAVER2: AHHH, AN HONOR GENTLEMEN INDEED! I HEARD OF THE KNIGHTS, AND I THINK OF YOU LORD HAWK, AND YOUR FRIENDS.

Panel 6: Angiel is visible, one hand lifted in Hawks' direction, other one on his hip as he speaks.

ANGIEL: I SHOULD HOPE SO! THIS IS LORD HAWK, DEFENDER OF ICONA AND LORD OF THIS DUCHY! TOGETHER, WE DROVE THE FORCES OF EVIL FROM THIS LAND AND HAVE TURNED IT INTO A LUCH VALLEY OF PROSPERITY!

Panel 7: Close up, Angiel again. Looking quite noble and dignified.

ANGIEL: HE HIMSELF DEFEATED THE LADY FENICKS, A WITCH WHO LIVED OVER THESE LANDS. THERE ARE NONE NOBLER, WISER, OR BETTER WITH A BLADE THAN HE.

Panel 8: An amused looking Hawk. Close up of face.

HAWK: YOU DO ME GREAT COMPLIMENTS BROTHER, THOUGH WITHOUT ZEAL'S BRASH CHARGES AND YOUR OWN FANATICAL FAITH, THE CRYSTAL TOWER WOULD NEVER HAVE FALLEN TO US.

Page 7: Large panel, overlaid with smaller panel in upper left corner.

Panel 1: Small Panel in corner. Birds eye angled view of three knights looking up to the ship. The viewer is on the ship it seems and a hand can be seen in the Foreground, a glove across it. The gangplank is visible and Slaver2 is guesturing up the ramp as he speaks.

SLAVER2: WOW! THAT IS DEFINITELY A FINE ACHIEVEMENT! BUT YOU WOULD HAVE TO TALK TO THE MASTER HIMSELF. AND HERE HE IS...

Panel 2: Large Panel under small panel. For the first time we see Master Greyvoyager clearly. Tall and clean cut with slight sideburns, he has a gold shirt on with dark embroidery across it, very well made. Rings on his fingers, he holds a bag in one hand, slightly out of sight. A rippling red cloak billows off his shouldres as he stands at the top of the gangplank. A staff is held in the crook of one arm, the hand on his hip as he smiles pleasantly. His gold-gilded whip handle is visible in his belt.

TCAP: MASTER GRAYVOYAGER, CAPTAIN OF THIS VESSEL AND RICH MERCHANT AND MAN OF HONEST TRADE.

Page 8: Two panels, second cut diagonally into third.

Panel 1: Grayvoyager holds his staff as he descends the ramp. He carefully holds one side of the gangplanks' rigging as though for balance, leaning somewhat on his staff as he does so.

Panel 2: Side view: Grayvoyager standing across from Hawk. They are about the same height and build.

Panel 3:Grayvoyager bows deeply to hawk, his cloak held about him, eyes lowered respectfully.

GRAYVOYAGER: TIS AN HONOR TO MEET YOU LORD HAWK! I HOPE MY SAILOR WAS NOT TOO RUDE IN HIS WAYS. THEY ARE RATHER UNCOUTH AT TIMES.


************************

Panel 4:

HAWK: AND YOU TOO. YOUR SHIP IS STRANGE TO US, YOU ARE NOT FROM THESE LANDS ARE YOU?

GRAYVOYAGER: NAY, I AM NOT. FROM OVER THE SEAS TO THE NORTHWEST WE COME.



GRAYVOYAGER: GOOD MORNING FINE KNIGHTS! I COULD NOT HELP BUT OVERHEAR BOTH YOUR DEEDS AND YOUR PLIGHTS. I WOULD BE HONORED TO HAVE YOU ABOARD MY SHIP THIS EVE FOR PASSAGE TO THEYE, THE HEART OF YOUR COUNTRY.

Panel 6: View of the ship from the side. Men on board have docked it, and lights are visible in the cabin. at the top of the ramp, looking down towards the knights (Who have their backs to the viewer), stood the Master. He was smiling as he starts down the ramp. A netted bag of glitering jewels.

MASTER: AHHH... WELCOME GOOD FRIENDS. PLEASE DO NOT BE ALARMED. I'M THE GRAYVOYAGER, A SIMPLE MERCHANT AND DIPLOMAT FROM OVER THE SEAS. PLEASE, STEP ABOARD, AS I WISH TO SPEAK MORE WITH YOU MORE ON THE MATTER OF MAYHAPS, SOME TRADE... I BRING MANY RARE JEMS AND OTHER GREAT TREASURES WITH ME.

OS ANGIEL: YOU COME OUT OF NOWHERE IN THE MIDDLE OF THE NIGHT AND INVITE US ONTO YOUR BOAT...

Page 6: 1/2 page slash

Panel 1: Birds Eye view, knights facing away slightly towards the large ship. A few sailors can be seen lashing the boat into place. The knights stand, both frowning. Angiel is slightly ahead, angry as he shouts. They are in the foreground, with the gorgeous boat visible.

ANGIEL: ... OF THE LIKES WE HAVE NEVER SEEN BEFORE, IT IS! AND FOR PURPOSES WHICH I DO NOT THINK ARE AS HONEST AS YOU CLAIM WE ARE NOT BABES NEWLY BORN, BUT ARE OF THE KING'S KNIGHTS, SWORN PROTECTORS OF THESE LANDS!

HAWK: SIR ANGIEL, AT EASE BROTHER. ICONA IS AT THE BORDERS OF OUR KINGDOM. NOT EVERYONE IS AN ENEMY.

Panel 2: View of the Master again from behind the Knights. A strange shimmer is around each knights's Silhouette, though drastically less around HAWKS's

MASTER (evil lettering): VERY WELL THEN. LET ME OFFER YOU A DIFFERENT COINAGE WHICH YOU MAY FIND MORE APPROPRIATE.


PAGE 5: Splash page.
The knights are standing there, frozen almost, green around. There are three panels at the middle of the page (or at an angledown) of each knight's face. Zeal looks confused. Angiel, struggling, and Hawk, stonefaced as always. In the page underneath, its' a birds' eye view of the ship and the three knights beginning to climb the gangplank onto the ship, Hawk going last.

ZEAL: Uurrrgh... can't think...

ANGIEL: Arrrgh! WHAT... WITCHERY...

TB under Hawk: MAGIC! WHAT IS HE DOING TO MY FRIENDS? I CANNOT ABANDON THEM. I MUST ACT FAST AND STOP THIS CREATURE.


Page 7:Three panels over top part of splash.

Panel 1: Leaping up the ramp, Hawk draws his fantastic blade in one fell move. His foot is on the ramp and his blade is just swinging past the Master, tearing his cloak. Master looks startled, his right hand glowing green.. The other two knights remain still.

Panel 2: A coursing energy goes from the Master's hand to hawk, who is bent back in pain with a yell. It hurts.

Panel 3: Hawk is slumped, smoking and mid-fall off the ramp, groaning. HIs blade drops to the ramps' edge as the old Knight starts towards the water. The other two knights are still frozen in place.

Splash: Birds' eye view of water between the ship and the docks. Bubbles can be seen rising and a shadowy figure is visible under it.

OS Master: Give him a few minutes. HIs armor will weigh him down. Then, fish him up. Take their weapons and armor to my chamber for now, and lock them up.


Page 8: (four panels total)
PAnel 1:Deck of the ship, shoulder view. Slave is watching from behind a lifeboat as the three knights are dragged in. Hawk is last, lookign quite soggy. All but slave are Silhouettes at this time against the morning sun.

TB (LOCK): KING'S KNIGHTS! THIS IS NOT GOOD, I NEED TO GET THEM OUT OF HERE...

Panel 2: Shadow over slaves's shoulder from behind. His head is turning, a
shocked, afraid look on his face.

SM SB:SO... YOU SAW OUR NEW GUESTS EH? NICE TO SEE YOUR OWN KIND AGAIN.

Slave: M-MASTER! I WAS JUST ABOUT TO-

Panel 3: Slave against boat, SM looming, side view. SM has whip in his hand.

SM: SILENCE! NEED I REMIND YOU OF YOUR PLACE, SLAVE?

Slave: EEP!

SM: YOU WILL KEEP OUT OF THE HOLD, UNDERSTAND? DO NOT GO DOWN THERE...

TB Slave: I HAVE TO RISK IT. SLEEPING POTION IN HIS WINE TONIGHT, AS ALWAYS BEFORE. AND DREAMWEAVER OF COURSE.

Panel 4: Slave in background. He looks scared, defeated. SM in foreground, only half his face visible, and his shoulder.

SM: AND YOU _ALL_ WILL PAY!

**************************

Page 9: One Panel, two, one

Panel1: The hold of the ship. Its' dark, leaky and there's a rat. The knights are stripped of their armor and belongings, and chained standing to the wall, even Hawk. Hawk looks quite burnt and soggy.

HAWK: WH... WHERE ARE WE?

ANGIEL: IN TROUBLE.

ZEAL: WE WERE ENCHANTED. OUR WEAPONS AND ARMOR ARE STRIPPED. THE SHIP HAS BEEN MOVING TOO. I'M AFRAID WE'RE PRISONERS.

Panel 2: Close up of Hawks' face, looking serious but also worried.

HAWK : AYE, AND I CONFESS I DO NOT KNOW HOW WE WILL ESCAPE THIS TIME.

Panel 3: Close up of Angie, determined.

ANGIEL: WHATEVER HAPPENS, OUR GOD WILL SEE US THROUGH. HE WILL NOT LET US BE VANQUISHED, BUT WATCH OVER US.

OP Zeal: ANGIEL...

Panel 4: Over shoulder shot of SLAVE looking into the room from the shadows, listening to the knights. At the far end, one can see a sailor's legs beginning to descend into the hold down the stairs.

ZEAL: I THINK THAT WE WILL NEED A LITTLE MORE HELP THAN THAT THIS TIME.

page 10: one panel, three panels, three panels

Panel 1: The master descends the stairs, again looking at the three knights chained. Its' light out, and the porholes allow meager amounts of light into the bottom of the ship. The three knights are looking beat up. Bruises, whip marks. Hawk especially seems to have been mistreated. They have a bit of a need of a shave and their clothes are stained.

TOP CAP: A FEW DAYS LATER.

MASTER: SO... HOW ARE MY GUESTS DOING?

Panel 2: Angiel, looking quite angry, with a bruise on one cheek as he leans forwards to shout.

Angiel:YOU! RELEASE US THIS INSTANT!

Panel 3: THe master, Sneering at Angiel, his nose mere inches away from the Knights'. Side view of course.

Master: AHH, HOW THE MIGHTY HAVE FALLEN! LURED AND TRAPPED BY MY ENCHANTMENTS AND POWER.

Angiel:YOU LOW BELLIED SNAKE! GOD WILL NOT TOLERATE THIS!

Master: HAH! GOD HAS NO SAY IN THIS ANYMORE...

Panel 4: Over the shoulder of the Master, looking now towards a tired looking Hawk and glowering Zeal.

OP Master: KING'S KNIGHTS, SOON TO BE RETRAINED AND SOLD AS LOWLY GLADIATORS INTO A LIFETIME OF SLAVERY!

Panel 5: Close up of Hawks' face, looking stern and determined.

HAWK: RELEASE US, AND WE WILL GIVE YOU A FAIR TRIAL. SLAVERY IS PROHIBITED IN SKYLARIA. THE OTHER KNIGHTS WILL COME FOR US.

Panel 6: Master starting to go up the steps, looking over his shoulder, the sun silhouetting him from behind.

MASTER:THERE IS NO LAW LIKE THAT WHERE WE GO. YOU THREE ARE NOW SLAVES. I WILL SAVOR EACH DAY I AM RICH OFF YOUR SALES.

Panel 7: The three knights, angled view of watching the master leave.

ZEAL: WELL... NOW WHAT?

Page 11:

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Post by Warofwinds »

Kez has returned^^

I like the changed part with the slave and the masters, the larger explanation of the slave's motives. That part helps. I'm not too sure about the new part with Hawk's thoughts though. I liked him originally as the silent type. In the original script, you hinted a lot to the audience that he was not enchanted but went of his own free will to protect his friends. The thought balloons take out a lot of the mystery and drama of the situation, IMO.

Not too sure about this passage:
HAWK: I AM LORD HAWK, GREEN KNIGHT OF THE KING OF SKYLARIA. THIS IS MY LOYAL AND HEADSTRONG BROTHER AT ARMS, BLUE KNIGHT ANGIEL, AND HIS SQUIRE ZEAL THE ENERGETIC.

It has a very high corny factor.

The reason for asking for passage aboard the ship is much better now, but the introductions have a little too much information. The backstory should be fleshed out later I think. Mentions of it here or there are fine, but not so fast.

The fight scene of Hawk vs. Master is quite awesome. Definitely a keeper, but the conversation between the Master and the three knights is a little melodramatic. Like the bad guy in adventure movies taking the time to gloat or whatever. Gloating is fine, but his is...inelegant. Mostly this line:
OP Master: KING'S KNIGHTS, SOON TO BE RETRAINED AND SOLD AS LOWLY GLADIATORS INTO A LIFETIME OF SLAVERY!
Other than those view things, good stuff!
-Kez
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Post by FunnyPerson »

Here's the updated version. I'm liking it...
Page 1 Three panels, over top of splash page.

Panel 1: Close up of a worn, thin hand as it held a clear crystal glass under a wine spout, filling up.

CAP: IN A WAR, YOU SACRIFICE A LOT OF FREEDOM. SOME KINDS OF WAR HOWEVER, CANNOT BE FOUGHT WITH WEAPONS, MAGIC OR KNIGHTS. SOME WARS, YOU HAVE TO SACRIFICE YOUR VERY /IDENTITY/ IF YOU WANT TO WIN.

Panel 2:Over-shoulder view, facing forwards. The shoulder is thinly clothed, short sleeved and the beginning of a scar is visible at the nape of his neck. His hair is shorn short but ragged. He carries the tray of wine glasses in front of him, the tray of fine silver and the glasses crystal.

UCAP: REALLY, WHO WOULD WANT TO LIVE WORKING FOR SOMEONE WHOM YOU HATE? WHO TOOK YOU FROM EVERYONE YOU LOVED, AND TORTURED YOU UNTIL YOU FORGOT WHO YOU WERE?

LCAP: TO TELL YOU THE TRUTH, I WOULD.

Panel 3: Bird's eye view: The thin slave. He's walking through the bowels of a wooden ship, shoulders hunched a little bit. He carries a tray of about six goblets of wine down the corridor to the end. Others - Humans and nonhumans - pass him. You can't see much detail from this angle.

LCAP: I COULD LEAVE THIS PLACE AT ANY TIME I WANTED. BUT I DON'T. WHO COULD LIVE FREE, KNOWING HE LEFT OTHERS BEHIND TO WORK UNTIL THEY PASS AWAY TO THE GREAT UNKNOWN? I KNOW MY ANSWER.

Splash Page under other panels: Long Wooden table with candles and wine glasses set up. There are platters of food across... a whole pig with an apple, etc. Lanterns burning and making the table brightly lit, but dark surroundings so you could only see vague shapes sitting at it. The man stands, head lowered, tray in front of him at the far end, the door closed behind him. He's wearing a collar, and his body is thin, clothes ragged.

CAP BELOW PANELS: I DON'T WANT TO JUST BE FREE, I WANT THEM TO SUFFER FOR ENSLAVING SO MANY. AND THAT IS WHY I REMAIN HERE. THAT IS WHY I REMAIN AS...

LCAP: Title Script: A WILLING SLAVE.

Page TWO. Two panels, Two panels w/Slash panel in between, three panels

Panel 1: Side vew of table, Slave can be seen behind the slavers seated there, setting drinks in front of each of them as he goes along, eyes always lowered respectfully as the Masters talk. Greyvoyager is the 'lead' master of the slavers, and has very flamboyant clothing, rings on his fingers and other such finery. He has fine brown hair and blue eyes, and is well tanned and muscled. The other slavers, also dressed in finery, are a stark contrast to Slave.

GREYVOYAGER: THIS YEARS' INCOME HAS BEEN DROPPING ALL THE TIME. I HEAR ESCAPES ARE ALSO RISING - THE SLAVES ARE MERELY VANISHING! THIS IS UNACCEPTABLE!

SLAVER: MASTER, I DON'T KNOW HOW TO EXPLAIN THIS... IT IS LIKE MAGIC!

TB of SLAVE: GOOD NEWS FOR ME, AT LEAST!

GREYVOYAGER: BAH! I KNOW MORE OF MAGIC THAN YOU! YOU THINK I WOULD NOT NOTICE? WE NEED FRESH MEAT TO STOCK THE MARKET SOON.

Panel 2: Another Angle: Slaves's face snaps up in startlement as he puts down a third drink near the head of a table, a shocked, almost horrified look to it. A hand pointing from 'under' the viewer points right towards him.

SLAVER2: WHAT ABOUT THIS SKYLARIAN YOU HAVE HERE? IT SEEMS A HARD, COMPLIANT SLAVE.

GREYVOYAGER(OP) : HNRRR... INDEED. AT LEAST AFTER ITS TRAINING.

SLAVER1: I SAY THAT WE RETURN TO THIS CREATURES' HOMELAND COAST, HARVEST MORE OF ITS KIND. SKYLARIANS ARE HARDY AND PLENTIFUL.

Panel 3:Close up of Slave's face, looking determined, grim. The shadow slightly behind him resembles that of a raised arm holding a whip.

TB SLAVE: NO! I CANNOT LET THEM TAKE MORE OF MY PEOPLE. I WILL HAVE TO-

Slash Panel: Partial of Slave's head thrown back, his shoulder most visible, the line of a whip coming across it.

SFX:*SNAP*

SLAVE: ARRGH!

Panel 4: Worm's Eye Profile: Slave is on the floor, facedown, one elbow propping him up as his frame shakes. To his left are the bottoms of chairs, and behind him, a dark shadow thrown across the hull of the ship can be seen holding a whip. Broken wine glasses lay about Slaves' hands, as well as spilt wine.

TB SLAVE:A FOOL I AM! I GOT DISTRACTED FROM MY DUTIES. OW...

Panel 5:Worms Eye again, slave on his back peering up at the looming Master holding the whip. Behind him, the other Slavers were watching casually.

GREYVOYAGER: WE /ALLOW/ YOU TO LIVE PAINLESSLY SO LONG AS YOU'RE USEFUL TO US, SLAVE. DON'T MAKE US REGRET THAT DECISION.

SLAVE: Y... YES... MASTER!
TB SLAVE: I SWEAR, YOU WILL PAY FOR THIS ALL, YOU WILL PAY FOR EVERY SINGLE MARK YOU EVER MADE.

Panel 6: Exterior of a sailing ship. The coastline is faintly visible, a dark line of grey blotting out the sky of stars

CAP: BUT I WONDER, AFTER SEEING MY HOME AGAIN... SEEING MY OWN PEOPLE...

Panel 7: Ship is smaller, coastline more detailled. It is still late at night, stars are out twinkling brightly. A slight fog is rolling in low to the water.

CAP: WILL I HAVE THE WILLPOWER TO REMAIN?

Page 4 Splash Page, with inset lower left

SPLASH: Aerial shot, early morning over a valley city. Fog descends over the lowest reaches, hiding the ground and waters of the docks. It has a waterfront, with several ships and boats of various sizes. The silhouettes of mountains can be seen above the city, and a castle glows with firey torches, bright as a beacon in the dark. Two figures can be seen on the docks, a third one approaching. One waiting is wearing shiny plate and is young (ZEAL), the other Scale and is older, shorter (ANGIEL), and they have luggage. The one approaching is wearing fine Plate and noble's clothes (LORD HAWK). The ocean is hidden by the mists, as though a sea of fog.

UCAP: THREE DAYS LATER, ICONA CITY

Inset :Over shoulder view of Hawk, looking to Zeal who is looking back through the mists, as is ANGIEL. In the distant mists, one can see a shape beginning to emerge.
ZEAL:GOOD MORNING LORD HAWK. THE BOAT TO THEYE IS LATE.

Page 5: Two panels, three panels, one panel

Panel 1: Hawk in his plate mail, looking noble, backlit by the dawn skies behind him.

HAWK: WE HAVE NOT YET MISSED IT, I KNOW THAT. ANGIEL, DO YOU SEE ANYTHING? YOU'VE THE EYES OF A HAWK.

Panel 2: Angiel in his fancy fullplate, squinting out at the waters intently. Side view.

ANGIEL: NOT A THING MY LORD. I SEE FOG, AND THE MOON AND... WAIT!

Panel 3: A view of the bay again, the slave ship beginning to emerge from the clouds..

OP ANGIEL: I SEE SOMETHING I THINK

Panel 4: The ship emerges fully now, trails of fog pulled along as it becomes clearer and more detailled.

Panel 5: The Ship looms, the water now visible as the mists begin to melt away, the dawn nearing ever closer, the water breaks across its' bow.

OP ANGIEL: ITS A SHIP! BUT, NOT OUR SHIP. I DO NOT RECOGNISE IT.

Panel 6: The foreign seeming ship is now docked. It looks vastly different from the one next to it. Both ships are visible from the front, the three Knights standing betweenst the Slaver's ship and the Iconian one behind them. Bigger, bulkier and of darker wood is the Slaver's ship next to the fine, near-white Iconian one. The Sailors on board - rough looking thin ones, lash the boat into place without ever leaving it, seeming to look down at the knights with curiosity.

HAWK: NOR DO I, SIR ANGIEL...

Page Six: Three panels, one panel, three panels.

Panel 1: Hawk watches Slaver2 leaping off the ship to the ground. It was one of the slavers, sans whip as it holds the rope. His head is down, the slaver-sailor focused, caught halfway off the ship and about to alight on the docks' surface. Hawk has one hand raised in the background. The

HAWK: EXCUSE ME, SAILOR! AHOY THERE!

Panel 2: The slaver is half turned, foot braced against the post of the dock as the rope is strung around it. He looks at hawk curiously as he works. Hawk himself is not seen save a close up of his shoulder.

SLAVER2: HMMM?

HAWK: WHO OWNS THIS VESSEL? WE ARE IN NEED OF PASSAGE TO THEYE IMMEDIATELY. OUR OWN SHIP IS LATE.

Panel 3: Sailor is grinning, thumb hooked over one shoulder. 3/4 view of his head, with the ship behind him as he speaks.

SLAVER2: AH, M'LORD! THAT WOULD BE MASTER GRAYVOYAGER. HE OWNS THE SHIP AND RUNS IT. WHO ARE YOU, FINE GENTLEMAN?

Panel 4: The three knights standing beside each other. Hawk is guesturing to the other two. Angiel is glaring, arms folded, while Zeal, the youngest half bows respectfully to the sailor.

HAWK: I AM LORD HAWK, GREEN KNIGHT OF THE KING OF SKYLARIA. THIS IS THE HEADSTRONG ANGIEL, BLUE KNIGHT, AND HIS SQUIRE ZEAL.

Panel 5 :Sailor bowing again deeply, one foot on the rope now.

SLAVER2: AHHH, AN HONOR GENTLEMEN INDEED! I HEARD OF THE KNIGHTS, AND I THINK OF YOU LORD HAWK, AND YOUR FRIENDS.

Panel 6: Angiel is visible, one hand lifted in Hawks' direction, other one on his hip as he speaks.

ANGIEL: I SHOULD HOPE SO! THIS IS LORD HAWK, DEFENDER OF ICONA AND LORD OF THIS DUCHY! TOGETHER, WE DROVE THE FORCES OF EVIL FROM THIS LAND AND HAVE TURNED IT INTO A LUCH VALLEY OF PROSPERITY!

Panel 7: Close up, Angiel again. Looking quite noble and dignified.

ANGIEL: HE HIMSELF DEFEATED THE LADY FENICKS, A WITCH WHO LIVED OVER THESE LANDS. THERE ARE NONE NOBLER, WISER, OR BETTER WITH A BLADE THAN HE.

OS ZEAL: ALTHOUG...

Panel 8: A proud, almost smug Zeal guestures to the other two knights

ZEAL:YOUR OWN FANATICAL FAITH BROTHER ANGIEL, THE CRYSTAL TOWER WOULD NEVER HAVE FALLEN TO US.

Page 7: Large panel, overlaid with smaller panel in upper left corner.

Panel 1: Small Panel in corner. Birds eye angled view of three knights looking up to the ship. The viewer is on the ship it seems and a hand can be seen in the Foreground, a glove across it. The gangplank is visible and Slaver2 is guesturing up the ramp as he speaks.

SLAVER2: WOW! THAT IS DEFINITELY A FINE ACHIEVEMENT! BUT YOU WOULD HAVE TO TALK TO THE MASTER HIMSELF. AND HERE HE IS...

Panel 2: Large Panel under small panel. For the first time we see Master Greyvoyager clearly. Tall and clean cut with slight sideburns, he has a gold shirt on with dark embroidery across it, very well made. Rings on his fingers, he holds a bag in one hand, slightly out of sight. A rippling red cloak billows off his shouldres as he stands at the top of the gangplank. A staff is held in the crook of one arm, the hand on his hip as he smiles pleasantly. His gold-gilded whip handle is visible in his belt.

TCAP: MASTER GRAYVOYAGER, CAPTAIN OF THIS VESSEL AND RICH MERCHANT AND MAN OF HONEST TRADE.

Page 8: Two panels, second cut diagonally into third, then two panels,

Panel 1: Grayvoyager holds his staff as he descends the ramp. He carefully holds one side of the gangplanks' rigging as though for balance, leaning somewhat on his staff as he does so.

Panel 2: Side view: Grayvoyager standing across from Hawk. They are about the same height and build.

Panel 3:Grayvoyager bows deeply to hawk, his cloak held about him, eyes lowered respectfully.

GRAYVOYAGER: TIS AN HONOR TO MEET YOU LORD HAWK! I HOPE MY SAILOR WAS NOT TOO RUDE IN HIS WAYS. THEY ARE RATHER UNCOUTH AT TIMES.

Panel 4: Hawk waving it off. Angiel is standing right behind him, arms folded, glowering. Zeal is looking off to one side, bored.

HAWK: AND YOU TOO. YOUR SHIP IS STRANGE TO US, YOU ARE NOT FROM THESE LANDS ARE YOU?

GRAYVOYAGER: NAY, I AM NOT. FROM OVER THE SEAS TO THE NORTHWEST WE COME.

ANGIEL: HRMPH!

Panel 5:Over shoulder view from Grayvoyager, looking at Angiel now. Angiel still looks angry.

GRAYVOYAGER: I SENSE A HINT OF SKEPTICISM IN YOU, BROTHER ANGIEL.

ANGIEL: /SIR/ ANGIEL. ONLY ANOTHER KNIGHT MAY CALL ME BROTHER.

GRAYVOYAGER: SIR ANGIEL THEN. OUR ISLAND IS TO THE SLAVE DRIVEN NATION OF GERRESTA, THUS OUR SHIPMEN HAVE MINOR MAGIC THAT HIDE THEM IN THE FOG OF THE OCEANS SO WE CAN SLIP PAST THEM. I THINK MANY DO NOT EVEN KNOW THE ISLAND EXISTS.

Panel 6:Long panel. Grayvoyager standing there guesturing to the boat behind him, arm outstretched over his head.

GRAYVOYAGER: WELL THEN, GENTLEMEN? WILL YOU ACCEPT MY OFFER OF A RIDE TO YOUR FABULOUS CAPITAL AS A SIGN OF TRUST?

ZEAL:HMMM...

Page 9: Three panels, two panels, two panels.

Panel 1: Birds Eye View of Hawk, Zeal and Angiel standing in a conference by the ship, talking.

HAWK: THOUGHTS?

ZEAL: HE SEEMS HONEST ENOUGH...

Panel 2:Angiel, scowling as he always does.

ANGIEL:THIS FEELS LIKE A SPIDER'S PANTRY. AND YET...

Panel 3: Angiel's face is soft, thoughtful. His eyes shine brightly at something, and his hand is seen at the bottom of the screen, clutching at something under his shirt.

ANGIEL: I THINK WE SHOULD.

Panel 4:Side view: The knights have turned back to look at Grayvoyager who is busy pointing up at a sailor on the ship as they seem to prepare to cast off. His head is turned back though to look at the Knights. Hawk has lifted his small bag and is stepping towards the ship. Angiel is behind him, and Zeal is picking up the remaining bags on his own.

HAWK: WE WILL ACCEPT PASSAGE TO THEYE. WHEN DO YOU LEAVE?

GRAYVOYAGER:EXCELLENT!

Panel 5:Standard view, the three knights climbing the ramp before Grayvoyager into the ship, Hawk, Angiel and Zeal in that order. Grayvoyager remains at the bottom, speaking. Sailors are visible at the top, watching the knights. He has one hand though, behind his back, glowing a slight blue color.

GRAYVOYAGER:VERY SOON. I JUST HAVE A FEW MORE THINGS TO DO...

Panel 6: The knights are now on the ship itself. Hawk was in front with Angiel to one side and the burdened Zeal to the other as they stare at the sailors. Some of the sailors were dressed well, but the galley, with an open hull, was filled with slaves chained to the oars, ready to move out. The knights were looking shocked and angry.

ANGIEL: I KNEW IT!

ZEAL: A TRAP!

Panel 7: From the top of the gangplank, looking down at Grayvoyager who is smirking greatly. The green has extended out now, spiralling towards the 'viewer'.

GRAYVOYAGER:INDEED! A TRAP! AND NOW, YOU ARE CAUGHT IN MY WEB!


PAGE 10: Splash page with three panels across the top.
The knights are standing there, frozen almost, green around. The three panels at the top of the page (or at an angledown) of each knight's face. Zeal looks confused. Angiel, struggling, and Hawk, stonefaced as always. In the page underneath, its' a birds' eye view of the ship and the three knights beginning to climb the gangplank onto the ship, Hawk going last.

ZEAL: UUURGH! CANT... THINK!

ANGIEL: ARRRGH! WHAT... WITCHERY...

TB under Hawk: MAGIC! AND IT IS ENCHANTING MY FRIENDS! I MUST STOP THIS!


Page 11: Four long panels.

Panel 1: Leaping down the ramp, Hawk draws his fantastic blade in one fell move. His foot is on the ramp and his blade is just swinging past the Master, tearing his cloak. Grayvoyager looks startled, his right hand glowing blue to green.. The other two knights remain still.

Panel 2: A coursing energy goes from the Master's hand to hawk, who is bent back in pain with a yell. It hurts.

Panel 3: Hawk is slumped, smoking and mid-fall off the ramp, groaning. HIs blade drops to the ramps' edge as the old Knight starts towards the water. The other two knights are still frozen in place.

Panel 4: Birds' eye view of water between the ship and the docks. Bubbles can be seen rising and a shadowy figure is visible under it.

OS GRAYVOYAGER: Give him a few minutes. HIs armor will weigh him down. Then, fish him up. Take their weapons and armor to my chamber for now, and lock them up.

Page 12: (four panels total)
PAnel 1:Deck of the ship, shoulder view. Slave is watching from behind a lifeboat as the three knights are dragged in. Hawk is last, lookign quite soggy. All but slave are Silhouettes at this time against the morning sun.

TB (LOCK): KING'S KNIGHTS! THIS IS NOT GOOD, I NEED TO GET THEM OUT OF HERE...

Panel 2: Shadow over slaves's shoulder from behind. His head is turning, a
shocked, afraid look on his face.

SM SB:SO... YOU SAW OUR NEW GUESTS EH? NICE TO SEE YOUR OWN KIND AGAIN.

Slave: M-MASTER! I WAS JUST ABOUT TO-

Panel 3: Slave against boat, SM looming, side view. SM has whip in his hand.

SM: SILENCE! NEED I REMIND YOU OF YOUR PLACE, SLAVE?

Slave: EEP!

SM: YOU WILL KEEP OUT OF THE HOLD, UNDERSTAND? DO NOT GO DOWN THERE...

TB Slave: I HAVE TO RISK IT. SLEEPING POTION IN HIS WINE TONIGHT, AS ALWAYS BEFORE. AND DREAMWEAVER OF COURSE.

Panel 4: Slave in background. He looks scared, defeated. SM in foreground, only half his face visible, and his shoulder.

SM: AND YOU _ALL_ WILL PAY!

**************************

Page 9: One Panel, two, one

Panel1: The hold of the ship. Its' dark, leaky and there's a rat. The knights are stripped of their armor and belongings, and chained standing to the wall, even Hawk. Hawk looks quite burnt and soggy.

HAWK: WH... WHERE ARE WE?

ANGIEL: IN TROUBLE.

ZEAL: WE WERE ENCHANTED. OUR WEAPONS AND ARMOR ARE STRIPPED. THE SHIP HAS BEEN MOVING TOO. I'M AFRAID WE'RE PRISONERS.

Panel 2: Close up of Hawks' face, looking serious but also worried.

HAWK : AYE, AND I CONFESS I DO NOT KNOW HOW WE WILL ESCAPE THIS TIME.

Panel 3: Close up of Angie, determined.

ANGIEL: WHATEVER HAPPENS, OUR GOD WILL SEE US THROUGH. HE WILL NOT LET US BE VANQUISHED, BUT WATCH OVER US.

OP Zeal: ANGIEL...

Panel 4: Over shoulder shot of SLAVE looking into the room from the shadows, listening to the knights. At the far end, one can see a sailor's legs beginning to descend into the hold down the stairs.

ZEAL: I THINK THAT WE WILL NEED A LITTLE MORE HELP THAN THAT THIS TIME.

page 10: one panel, three panels, three panels

Panel 1: The master descends the stairs, again looking at the three knights chained. Its' light out, and the porholes allow meager amounts of light into the bottom of the ship. The three knights are looking beat up. Bruises, whip marks. Hawk especially seems to have been mistreated. They have a bit of a need of a shave and their clothes are stained.

TOP CAP: A FEW DAYS LATER.

MASTER: SO... HOW ARE MY GUESTS DOING?

Panel 2: Angiel, looking quite angry, with a bruise on one cheek as he leans forwards to shout.

Angiel:YOU! RELEASE US THIS INSTANT!

Panel 3: THe master, Sneering at Angiel, his nose mere inches away from the Knights'. Side view of course.

Master: AHH, HOW THE MIGHTY HAVE FALLEN! LURED AND TRAPPED BY MY ENCHANTMENTS AND POWER.

Angiel:YOU LOW BELLIED SNAKE! GOD WILL NOT TOLERATE THIS!

Master: HAH! GOD HAS NO SAY IN THIS ANYMORE...

Panel 4: Over the shoulder of the Master, looking now towards a tired looking Hawk and glowering Zeal.

OP Master: KING'S KNIGHTS, SOON TO BE RETRAINED AND SOLD AS LOWLY GLADIATORS INTO A LIFETIME OF SLAVERY!

Panel 5: Close up of Hawks' face, looking stern and determined.

HAWK: RELEASE US, AND WE WILL GIVE YOU A FAIR TRIAL. SLAVERY IS PROHIBITED IN SKYLARIA. THE OTHER KNIGHTS WILL COME FOR US.

Panel 6: Master starting to go up the steps, looking over his shoulder, the sun silhouetting him from behind.

MASTER:THERE IS NO LAW LIKE THAT WHERE WE GO. YOU THREE ARE NOW SLAVES. I WILL SAVOR EACH DAY I AM RICH OFF YOUR SALES.

Panel 7: The three knights, angled view of watching the master leave.

ZEAL: WELL... NOW WHAT?

Page 11:

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Post by FunnyPerson »

Semi-Final version here! I hope you all like it!

I will probably post the next part in its' own thread, as its' getting rather long now on its' own. I hope you all gladly give me the critique I need:

Page 1 Three panels, over top of splash page.

Panel 1: Close up of a worn, thin hand as it held a clear crystal glass under a wine spout, filling up.

CAP: IN A WAR, YOU SACRIFICE A LOT OF FREEDOM. SOME KINDS OF WAR HOWEVER, CANNOT BE FOUGHT WITH WEAPONS, MAGIC OR KNIGHTS. SOME WARS, YOU HAVE TO SACRIFICE YOUR VERY /IDENTITY/ IF YOU WANT TO WIN.

Panel 2:Over-shoulder view, facing forwards. The shoulder is thinly clothed, short sleeved and the beginning of a scar is visible at the nape of his neck. His hair is shorn short but ragged. He carries the tray of wine glasses in front of him, the tray of fine silver and the glasses crystal.

UCAP: REALLY, WHO WOULD WANT TO LIVE WORKING FOR SOMEONE WHOM YOU HATE? WHO TOOK YOU FROM EVERYONE YOU LOVED, AND TORTURED YOU UNTIL YOU FORGOT WHO YOU WERE?

LCAP: TO TELL YOU THE TRUTH, I WOULD.

Panel 3: Bird's eye view: The thin slave. He's walking through the bowels of a wooden ship, shoulders hunched a little bit. He carries a tray of about six goblets of wine down the corridor to the end. Others - Humans and nonhumans - pass him. You can't see much detail from this angle.

LCAP: I COULD LEAVE THIS PLACE AT ANY TIME I WANTED. BUT I DON'T. WHO COULD LIVE FREE, KNOWING HE LEFT OTHERS BEHIND TO WORK UNTIL THEY PASS AWAY TO THE GREAT UNKNOWN? I KNOW MY ANSWER.

Splash Page under other panels: Long Wooden table with candles and wine glasses set up. There are platters of food across... a whole pig with an apple, etc. Lanterns burning and making the table brightly lit, but dark surroundings so you could only see vague shapes sitting at it. The man stands, head lowered, tray in front of him at the far end, the door closed behind him. He's wearing a collar, and his body is thin, clothes ragged.

CAP BELOW PANELS: I DON'T WANT TO JUST BE FREE, I WANT THEM TO SUFFER FOR ENSLAVING SO MANY. AND THAT IS WHY I REMAIN HERE. THAT IS WHY I REMAIN AS...

LCAP: Title Script: A WILLING SLAVE.

Page TWO. Two panels, Two panels w/Slash panel in between, three panels

Panel 1: Side vew of table, Slave can be seen behind the slavers seated there, setting drinks in front of each of them as he goes along, eyes always lowered respectfully as the Masters talk. Greyvoyager is the 'lead' master of the slavers, and has very flamboyant clothing, rings on his fingers and other such finery. He has fine brown hair and blue eyes, and is well tanned and muscled. The other slavers, also dressed in finery, are a stark contrast to Slave.

GREYVOYAGER: THIS YEARS' INCOME HAS BEEN DROPPING ALL THE TIME. I HEAR ESCAPES ARE ALSO RISING - THE SLAVES ARE MERELY VANISHING! THIS IS UNACCEPTABLE!

SLAVER: MASTER, I DON'T KNOW HOW TO EXPLAIN THIS... IT IS LIKE MAGIC!

TB of SLAVE: GOOD NEWS FOR ME, AT LEAST!

GREYVOYAGER: BAH! I KNOW MORE OF MAGIC THAN YOU! YOU THINK I WOULD NOT NOTICE? WE NEED FRESH MEAT TO STOCK THE MARKET SOON.

Panel 2: Another Angle: Slaves's face snaps up in startlement as he puts down a third drink near the head of a table, a shocked, almost horrified look to it. A hand pointing from 'under' the viewer points right towards him.

SLAVER2: WHAT ABOUT THIS SKYLARIAN YOU HAVE HERE? IT SEEMS A HARD, COMPLIANT SLAVE.

GREYVOYAGER(OP) : HNRRR... INDEED. AT LEAST AFTER ITS TRAINING.

SLAVER1: I SAY THAT WE RETURN TO THIS CREATURES' HOMELAND COAST, HARVEST MORE OF ITS KIND. SKYLARIANS ARE HARDY AND PLENTIFUL.

Panel 3:Close up of Slave's face, looking determined, grim. The shadow slightly behind him resembles that of a raised arm holding a whip.

TB SLAVE: NO! I CANNOT LET THEM TAKE MORE OF MY PEOPLE. I WILL HAVE TO-

Slash Panel: Partial of Slave's head thrown back, his shoulder most visible, the line of a whip coming across it.

SFX:*SNAP*

SLAVE: ARRGH!

Panel 4: Worm's Eye Profile: Slave is on the floor, facedown, one elbow propping him up as his frame shakes. To his left are the bottoms of chairs, and behind him, a dark shadow thrown across the hull of the ship can be seen holding a whip. Broken wine glasses lay about Slaves' hands, as well as spilt wine.

TB SLAVE:A FOOL I AM! I GOT DISTRACTED FROM MY DUTIES. OW...

Panel 5:Worms Eye again, slave on his back peering up at the looming Master holding the whip. Behind him, the other Slavers were watching casually.

GREYVOYAGER: WE /ALLOW/ YOU TO LIVE PAINLESSLY SO LONG AS YOU'RE USEFUL TO US, SLAVE. DON'T MAKE US REGRET THAT DECISION.

SLAVE: Y... YES... MASTER!
TB SLAVE: I SWEAR, YOU WILL PAY FOR THIS ALL, YOU WILL PAY FOR EVERY SINGLE MARK YOU EVER MADE.

Panel 6: Exterior of a sailing ship. The coastline is faintly visible, a dark line of grey blotting out the sky of stars

CAP: BUT I WONDER, AFTER SEEING MY HOME AGAIN... SEEING MY OWN PEOPLE...

Panel 7: Ship is smaller, coastline more detailled. It is still late at night, stars are out twinkling brightly. A slight fog is rolling in low to the water.

CAP: WILL I HAVE THE WILLPOWER TO REMAIN?

Page 4 Splash Page, with inset lower left

SPLASH: Aerial shot, early morning over a valley city. Fog descends over the lowest reaches, hiding the ground and waters of the docks. It has a waterfront, with several ships and boats of various sizes. The silhouettes of mountains can be seen above the city, and a castle glows with firey torches, bright as a beacon in the dark. Two figures can be seen on the docks, a third one approaching. One waiting is wearing shiny plate and is young (ZEAL), the other Scale and is older, shorter (ANGIEL), and they have luggage. The one approaching is wearing fine Plate and noble's clothes (LORD HAWK). The ocean is hidden by the mists, as though a sea of fog.

UCAP: THREE DAYS LATER, ICONA CITY

Inset :Over shoulder view of Hawk, looking to Zeal who is looking back through the mists, as is ANGIEL. In the distant mists, one can see a shape beginning to emerge.
ZEAL:GOOD MORNING LORD HAWK. THE BOAT TO THEYE IS LATE.

Page 5: Two panels, three panels, one panel

Panel 1: Hawk in his plate mail, looking noble, backlit by the dawn skies behind him.

HAWK: WE HAVE NOT YET MISSED IT, I KNOW THAT. ANGIEL, DO YOU SEE ANYTHING? YOU'VE THE EYES OF A HAWK.

Panel 2: Angiel in his fancy fullplate, squinting out at the waters intently. Side view.

ANGIEL: NOT A THING MY LORD. I SEE FOG, AND THE MOON AND... WAIT!

Panel 3: A view of the bay again, the slave ship beginning to emerge from the clouds..

OP ANGIEL: I SEE SOMETHING I THINK

Panel 4: The ship emerges fully now, trails of fog pulled along as it becomes clearer and more detailled.

Panel 5: The Ship looms, the water now visible as the mists begin to melt away, the dawn nearing ever closer, the water breaks across its' bow.

OP ANGIEL: ITS A SHIP! BUT, NOT OUR SHIP. I DO NOT RECOGNISE IT.

Panel 6: The foreign seeming ship is now docked. It looks vastly different from the one next to it. Both ships are visible from the front, the three Knights standing betweenst the Slaver's ship and the Iconian one behind them. Bigger, bulkier and of darker wood is the Slaver's ship next to the fine, near-white Iconian one. The Sailors on board - rough looking thin ones, lash the boat into place without ever leaving it, seeming to look down at the knights with curiosity.

HAWK: NOR DO I, SIR ANGIEL...

Page Six: Three panels, one panel, three panels.

Panel 1: Hawk watches Slaver2 leaping off the ship to the ground. It was one of the slavers, sans whip as it holds the rope. His head is down, the slaver-sailor focused, caught halfway off the ship and about to alight on the docks' surface. Hawk has one hand raised in the background. The

HAWK: EXCUSE ME, SAILOR! AHOY THERE!

Panel 2: The slaver is half turned, foot braced against the post of the dock as the rope is strung around it. He looks at hawk curiously as he works. Hawk himself is not seen save a close up of his shoulder.

SLAVER2: HMMM?

HAWK: WHO OWNS THIS VESSEL? WE ARE IN NEED OF PASSAGE TO THEYE IMMEDIATELY. OUR OWN SHIP IS LATE.

Panel 3: Sailor is grinning, thumb hooked over one shoulder. 3/4 view of his head, with the ship behind him as he speaks.

SLAVER2: AH, M'LORD! THAT WOULD BE MASTER GRAYVOYAGER. HE OWNS THE SHIP AND RUNS IT. WHO ARE YOU, FINE GENTLEMAN?

Panel 4: The three knights standing beside each other. Hawk is guesturing to the other two. Angiel is glaring, arms folded, while Zeal, the youngest half bows respectfully to the sailor.

HAWK: I AM LORD HAWK, GREEN KNIGHT OF THE KING OF SKYLARIA. THIS IS THE HEADSTRONG ANGIEL, YELLOW KNIGHT*, AND HIS SQUIRE ZEAL.

Panel 5 :Sailor bowing again deeply, one foot on the rope now.

SLAVER2: AHHH, AN HONOR GENTLEMEN INDEED! I HEARD OF THE KNIGHTS, AND I THINK OF YOU LORD HAWK, AND YOUR FRIENDS.

Panel 6: Angiel is visible, one hand lifted in Hawks' direction, other one on his hip as he speaks.

ANGIEL: I SHOULD HOPE SO! THIS IS LORD HAWK, DEFENDER OF ICONA AND LORD OF THIS DUCHY! TOGETHER, WE DROVE THE FORCES OF EVIL FROM THIS LAND AND HAVE TURNED IT INTO A LUCH VALLEY OF PROSPERITY!

Panel 7: Close up, Angiel again. Looking quite noble and dignified.

ANGIEL: HE HIMSELF DEFEATED THE LADY FENICKS, A WITCH WHO LIVED OVER THESE LANDS. THERE ARE NONE NOBLER, WISER, OR BETTER WITH A BLADE THAN HE.

OS ZEAL: ALTHOUGH...

Panel 8: A proud, almost smug Zeal guestures to the other two knights

ZEAL:YOUR OWN FANATICAL FAITH BROTHER ANGIEL, THE CRYSTAL TOWER WOULD NEVER HAVE FALLEN TO US.

Footnote on page: The Knights of the King use colors for ranks. The lowest is Red, going through Red, Orange, Yellow, Green, Blue, Indigo, Violet, White, with Black as a rank outside the chain of command.

Page 7: Large panel, overlaid with smaller panel in upper left corner.

Panel 1: Small Panel in corner. Birds eye angled view of three knights looking up to the ship. The viewer is on the ship it seems and a hand can be seen in the Foreground, a glove across it. The gangplank is visible and Slaver2 is guesturing up the ramp as he speaks.

SLAVER2: WOW! THAT IS DEFINITELY A FINE ACHIEVEMENT! BUT YOU WOULD HAVE TO TALK TO THE MASTER HIMSELF. AND HERE HE IS...

Panel 2: Large Panel under small panel. For the first time we see Master Greyvoyager clearly. Tall and clean cut with slight sideburns, he has a gold shirt on with dark embroidery across it, very well made. Rings on his fingers, he holds a bag in one hand, slightly out of sight. A rippling red cloak billows off his shouldres as he stands at the top of the gangplank. A staff is held in the crook of one arm, the hand on his hip as he smiles pleasantly. His gold-gilded whip handle is visible in his belt.

TCAP: MASTER GRAYVOYAGER, CAPTAIN OF THIS VESSEL AND RICH MERCHANT AND MAN OF HONEST TRADE.

Page 8: Two panels, second cut diagonally into third, then two panels,

Panel 1: Grayvoyager holds his staff as he descends the ramp. He carefully holds one side of the gangplanks' rigging as though for balance, leaning somewhat on his staff as he does so.

Panel 2: Side view: Grayvoyager standing across from Hawk. They are about the same height and build.

Panel 3:Grayvoyager bows deeply to hawk, his cloak held about him, eyes lowered respectfully.

GRAYVOYAGER: TIS AN HONOR TO MEET YOU LORD HAWK! I HOPE MY SAILOR WAS NOT TOO RUDE IN HIS WAYS. THEY ARE RATHER UNCOUTH AT TIMES.

Panel 4: Hawk waving it off. Angiel is standing right behind him, arms folded, glowering. Zeal is looking off to one side, bored.

HAWK: AND YOU TOO. YOUR SHIP IS STRANGE TO US, YOU ARE NOT FROM THESE LANDS ARE YOU?

GRAYVOYAGER: NAY, I AM NOT. FROM OVER THE SEAS TO THE NORTHWEST WE COME.

ANGIEL: HRMPH!

Panel 5:Over shoulder view from Grayvoyager, looking at Angiel now. Angiel still looks angry.

GRAYVOYAGER: I SENSE A HINT OF SKEPTICISM IN YOU, BROTHER ANGIEL.

ANGIEL: /SIR/ ANGIEL. ONLY ANOTHER KNIGHT MAY CALL ME BROTHER.

GRAYVOYAGER: SIR ANGIEL THEN. OUR ISLAND IS TO THE SLAVE DRIVEN NATION OF GERRESTA, THUS OUR SHIPMEN HAVE MINOR MAGIC THAT HIDE THEM IN THE FOG OF THE OCEANS SO WE CAN SLIP PAST THEM. I THINK MANY DO NOT EVEN KNOW THE ISLAND EXISTS.

Panel 6:Long panel. Grayvoyager standing there guesturing to the boat behind him, arm outstretched over his head.

GRAYVOYAGER: WELL THEN, GENTLEMEN? WILL YOU ACCEPT MY OFFER OF A RIDE TO YOUR FABULOUS CAPITAL AS A SIGN OF TRUST?

ZEAL:HMMM...

Page 9: Three panels, two panels, two panels horizontally

Panel 1: Birds Eye View of Hawk, Zeal and Angiel standing in a conference by the ship, talking.

HAWK: THOUGHTS?

ZEAL: HE SEEMS HONEST ENOUGH...

Panel 2:Angiel, scowling as he always does.

ANGIEL:THIS FEELS LIKE A SPIDER'S PANTRY. AND YET...

Panel 3: Angiel's face is soft, thoughtful. His eyes shine brightly at something, and his hand is seen at the bottom of the screen, clutching at something under his shirt.

ANGIEL: I THINK WE SHOULD.

Panel 4:Side view: The knights have turned back to look at Grayvoyager who is busy pointing up at a sailor on the ship as they seem to prepare to cast off. His head is turned back though to look at the Knights. Hawk has lifted his small bag and is stepping towards the ship. Angiel is behind him, and Zeal is picking up the remaining bags on his own.

HAWK: WE WILL ACCEPT PASSAGE TO THEYE. WHEN DO YOU LEAVE?

GRAYVOYAGER:EXCELLENT!

Panel 5:Standard view, the three knights climbing the ramp before Grayvoyager into the ship, Hawk, Angiel and Zeal in that order. Grayvoyager remains at the bottom, speaking. Sailors are visible at the top, watching the knights. He has one hand though, behind his back, glowing a slight blue color.

GRAYVOYAGER:VERY SOON. I JUST HAVE A FEW MORE THINGS TO DO...

Panel 6 (skinny panel): From the top of the gangplank, looking down at Grayvoyager who is smirking greatly. The green has extended out now, spiralling out of his hand (Which overlaps the next panel down) and the green spreads out over the three knights in the lower panel. Speech bubble is BELOW panel seven, but tail leads up to his mouth.

GRAYVOYAGER:INDEED! A TRAP! AND NOW, YOU ARE CAUGHT IN MY WEB!

Panel 7: The knights are now on the ship itself. Hawk was in front, half drawing his sword as red shimmers over his shield-arm with Angiel to one side and the burdened Zeal to the other as they stare at the sailors. Some of the sailors were dressed well, but the galley, with an open hull, was filled with slaves chained to the oars, ready to move out. The knights were looking shocked and angry.

ANGIEL: I KNEW IT!

ZEAL: A TRAP!

HAWK: KNIGHTS, 'WARE!


Page 11: two-page Splash with four overlying panels, one in each corner.

Splash: Birds' eye view, of the ship in the docks. There's combat happening across it it seems. The knights have split up and each one has a line leading from them to their panel in the corners.

Top-Left Panel (split diagonally): Angiel, leaping up towards the poop-deck (rear upper deck of the ship). His flail is drawn, swinging up at a Slaver there, but another one was in mid-tackle towards his legs. In the second panel, Angiel is being tackled from behind by a Guard, his head falling forwards to slam into the ladder to the Poop Deck.

LCAP: SIR ANGIEL, YELLOW KNIGHT OF THE KING OF SKYLARIA. OVERTLY LOYAL TO GOD, HE IS A DEVOUT FOLLOWER OF GOD, TO THE POINT OF BEING A FANATIC. HE IS SKILLED, BRAVE AND TOLERATES NO EVIL.

Top-Right panel(split diagonally): Zeal tossing one of his bags at a nearby Slaver. Below him, the Slaves are visible, watching quietly, some cowering where they are chained, all eyes fixed on it. Lower panel shows him being held in a chokehold from behind, a Slaver's whip coiling about his neck tightly as he struggles to breathe, the Slaver's foot in his back to push him against the leather.

LCAP: RED KNIGHT ZEAL. SQUIRE TO SIR ANGIEL, THIS YOUNG KNIGHT IS BRASH, STRONG AND GOOD OF HEART. KNOWN FOR HIS GENEROSITY TO THE POOR AND HIS LANCING SKILLS ON HORSEBACK.

Lower-left panel (split diagonally): Hawk is there, standing by the gangplank still, crossing blades with a guard with a blade of his own. The green haze covers him to one side overhead, meeting Grayvoyagers' own green from where the man stood at the side of the ship, the two colors mingling and 'fighting'. In the lower half of the panel, the green is winning over the green as Hawk disarms the Guard.

LCAP: LORD HAWK, GREEN KNIGHT. HE RULES OVER ICONA IN THE NAME OF THE KING OF SKYLARIA. HIS BRAVERY IS REKNOWN ACROSS THE LAND, AS WELL AS HIS DEFEAT OF THE LADY PHOENIX. A SUPREME SWORDSMAN AND SORCERER, HE RULES BY WISDOM AND DISCIPLINE.

Lower-Right panel(split Diagonally): Slave is hiding behind a dinghy on the boat, watching the battle from afar with an anxious expression on his face. a shadow half-falls across his back, the silhouette of a whip held in a hand in the foreground. Lower panel shows his head turned, a fearful look on his face as the foot of a Slaver is visible in the foreground.

OS Slaver: GET BACK TO WORK!

LCAP: SLAVE. HIS REAL NAME LOST TO TIME, HE NOW REMAINS A SLAVE IT SEEMS OF HIS OWN CHOICE. A MAN OF SKYLARIA HE HAS RETURNED HOME, FOR THE FIRST TIME WONDERING IF HE SHOULD ESCAPE NOW WHILE HE CAN.

Page 12: Four long panels.

Panel 1: Leaping along the ships' railing,, Hawk jabs his fantastic blade towards Grayvoyager in one fell move. His foot is on the ramp and his blade is just swinging past Grayvoyager, tearing his cloak. Grayvoyager looks startled, his right hand glowing blue to green.. The other two knights are slightly visible, slumped in the hands of Slavers who held blades to their throats..

Panel 2: A coursing energy goes from the Grayvoyager's hand to Hawk, surrounding the Green the Knight was making, who is bent back in pain with a yell. It hurts.

Panel 3: Hawk is slumped, smoking and mid-fall off the ramp, groaning. HIs blade drops to the ramps' edge as the old Knight starts backwards over the side of the ship, towards the water. The other two knights are still frozen in place.

Panel 4: Birds' eye view of water between the ship and the docks. Bubbles can be seen rising and a shadowy figure is visible under it.

OS GRAYVOYAGER: Give him a few minutes. HIs armor will weigh him down. Then, fish him up. Take their weapons and armor to my chamber for now, and lock them up.

Page 12: (four panels total)
PAnel 1:Deck of the ship, shoulder view. Slave is watching from behind a lifeboat as the three knights are dragged in. Hawk is last, lookign quite soggy. All but slave are Silhouettes at this time against the morning sun.

TB SLAVE: GREAT FACET OF MERCY!

Panel 2: Shadow over slaves's shoulder from behind. His head is turned back to stare up at the one there, lips thin in grimness

OS SLAVER: I'M TALKING TO YOU SLAVE!

SLAVE: M-MASTER? I WAS JUST AVOIDING-

Panel 3: Slave against boat, SM looming, side view. SM has whip in his hand.

GRAYVOYAGER: SILENCE! NEED I REMIND YOU OF YOUR PLACE, SLAVE?

SLAVE: EEP!

GRAYVOYAGER: YOU WILL KEEP OUT OF THE HOLD, UNDERSTAND? DO NOT GO DOWN THERE...

SLAVE: YES MASTER!

TB SLAVE: I HAVE TO RISK IT. IN A FEW DAY'S TIME, THE HEADY WINE AND HERBS, AND DREAMWEAVER'S SONG. AND AFTER THAT, SOMEDAY...

Panel 4: Slave in background. He looks angry, defeated, bitter. SM in foreground, only half his face visible, and his shoulder.

SM: AND YOU _ALL_ WILL PAY!

**************************

Page 13: One Panel, two, one

Panel1: The hold of the ship. Its' dark, leaky and there's a rat. The knights are stripped of their armor and belongings, and chained standing to the wall, even Hawk. Hawk looks quite burnt and soggy.

HAWK: WH... WHERE ARE WE?

ANGIEL: IN TROUBLE.

ZEAL: WE WERE DEFEATED. OUR WEAPONS AND ARMOR ARE GONE. THE SHIP HAS BEEN MOVING TOO. WHAT DO WE DO, M'LORD?

Panel 2: Close up of Hawks' face, looking serious but also worried.

HAWK : I DO NOT KNOW ZEAL. THIS MAN HAS GREAT MAGIC, AND WE'RE OUTNUMBERED.

Panel 3: Close up of Angie, determined.

ANGIEL: WHATEVER HAPPENS, OUR GOD WILL SEE US THROUGH. HE WILL NOT LET US BE VANQUISHED, BUT WATCH OVER US.

OP Zeal: ANGIEL...

Panel 4: Over shoulder shot of SLAVE looking into the room from the shadows, listening to the knights. At the far end, one can see a slaver's legs beginning to descend into the hold down the stairs, one hand holding a fearsome bullwhip. The three knights' heads are turned in that way.

ZEAL: I THINK THAT WE WILL NEED A LITTLE MORE HELP THAN THAT THIS TIME.

page 14: one panel, three panels, three panels

Panel 1: The master descends the stairs, again looking at the three knights chained. Its' light out, and the porholes allow meager amounts of light into the bottom of the ship. The three knights are looking beat up. Bruises, whip marks. Hawk especially seems to have been mistreated. They have a bit of a need of a shave and their clothes are stained.

TOP CAP: A FEW DAYS LATER.

MASTER: SO... HOW ARE MY GUESTS DOING?

Panel 2: Angiel, looking quite angry, with a bruise on one cheek as he leans forwards to shout.

ANGIEL:YOU! RELEASE US THIS INSTANT!

Panel 3: THe master, Sneering at Angiel, his nose mere inches away from the Knights'. Side view of course.

GRAYVOYAGER: AHH, HOW THE MIGHTY HAVE FALLEN! LURED AND TRAPPED BY MY ENCHANTMENTS AND POWER.

ANGIEL:YOU VILE HEATHEN OF THE DARK FACET! GOD WILL NOT TOLERATE THIS!

GRAYVOYAGER: HAH! GOD HAS NO SAY IN THIS ANYMORE...

Panel 4: Over the shoulder of the Grayvoyager, looking now towards a tired looking Hawk and glowering Zeal.

OP GRAYVOYAGER: KING'S KNIGHTS, SOON TO BE RETRAINED AND SOLD AS LOWLY GLADIATORS INTO A LIFETIME OF SLAVERY!

Panel 5: Close up of Hawks' face, looking stern and determined.

HAWK: RELEASE US, AND WE WILL TREAT YOU WITH MERCY. SLAVERY IS PROHIBITED IN SKYLARIA. THE OTHER KNIGHTS WILL COME FOR US.

Panel 6: Master starting to go up the steps, looking over his shoulder, the sun silhouetting him from behind.

GRAYVOYAGER:THERE IS NO LAW LIKE THAT WHERE WE GO. YOU THREE ARE NOW SLAVES. I WILL SAVOR EACH DAY I AM RICH OFF YOUR SALES.

Panel 7: The three knights, angled view of watching Grayvoyager leave.

ZEAL: WELL... NOW WHAT?

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Warofwinds
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Post by Warofwinds »

Hrm, if possible, could you edit the post just with the stuff you've changed? Rereading the same parts over and over makes my attention go...hey! Get back here! *grabs attention* Makes my attention go elsewhere. I'm certainly willing to give a critique, but please, shorter? :cry:
-Kez
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FunnyPerson
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Post by FunnyPerson »

Well, thing is, a lot of its' changed so unless I wipe the old post, and then bump the entire thread so that people realize there's activity... its' exactly the same thing, cause sometimes I change a word here, and stuff, so I'm not sure how i'd flag the new stuff when an entire page can end up changing.

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