I guess my point is that if Thelma had picked up on even the slightest hint of what this shot she was being offered involved, she wouldn't have come to within a mile of it. Therefore I must conclude that it was never apparent. I find it highly questionable to not give someone the details of any job they'll be doing when they sign on, especially when it involves something they might object to. Do they intend to decieve? I guess I really can't say I know. But I still find it questionable to say the least.
I think that with Marty, we may be interpreting the tones differently. When I look back at the comic, I hear a sneer in his voice and I see a leer in his eye. I see him mocking her obvious reluctance. When I was reading it, I could see no way that he could miss that he was seeing an absolute rejection of
everything he'd just been talking about. From what you're saying, you seem to be reading his tone completely differently. And when I go back and try, I'll admit that I think I can see how someone could find something of a different tone. This still doesn't justify Marty to me, and I still see his actions and manner (among other things) as completely inappropriate, but I can see where one might interpret him as not reading Thelma's body language in the way that I was.
I don't like that "instinct" swipe at Thelma either.
It wasn't a swipe at Thelma. I said
The way it's portrayed, her actions seem
I was making a statement about what I perceived the intent of the scene to be. Very admittedly, I could be wrong. And if so, my apologies to RH.
And yeah, I do think it's wrong for someone to take advantage of another person's bad situation. Yes, the people in the situation are to be held responsible for the choices that got them there. But I think those who would take advantage of the situation are also doing something wrong for which they should be held responsible
“The mirror may tell us what we are; memory may tell us what we were; but only the imagination can tell us what we might be.” – Donald Keesey
“You go whistling in the dark/ Making light of it/ Making light of it/ And I follow with my heart/ Laughing all the way// Oh 'cause you move me/ You get me dancing and you make me sing/ You move me/ Now I'm taking delight/ In every little thing/ How you move me”
~ "You Move Me"
Pierce Pettis, Gordon Kennedy